Description

Monstrous Society argues that in the eighteenth-century moral economy, power was divided between official authority and the counter-power of plebeians. This tacit, mutual understanding comes under attack when influential political thinkers, such as Edmund Burke, Jeremy Bentham, and T.R. Malthus attempted to discipline the social body and make state power immune from popular response. But once negated, counter-power persisted, even if in the demands of a debased, inhuman body. This response wis writ large in Gothic tales, especially Matthew Lewis's The Monk and Mary Shelley's Frankenstein, and in the innovative, embodied political practices of the mass movements for Reform and the Charter. By interpreting the formation of modern English culture through the early modern practice of reciprocity, David Collings constructs a "nonmodern" mode of analysis, one that sees modernity not as a break from the past but as the result of attempts to transform traditions that, however distorted, nevertheless remain broadly in force.

Monstrous Society: Reciprocity, Discipline, and the Political Uncanny, c. 1780-1848

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Hardback by David Collings

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Monstrous Society argues that in the eighteenth-century moral economy, power was divided between official authority and the counter-power of plebeians.... Read more

    Publisher: Bucknell University Press
    Publication Date: 01/01/2009
    ISBN13: 9781611483154, 978-1611483154
    ISBN10: 1611483158

    Number of Pages: 332

    Non Fiction , History

    Description

    Monstrous Society argues that in the eighteenth-century moral economy, power was divided between official authority and the counter-power of plebeians. This tacit, mutual understanding comes under attack when influential political thinkers, such as Edmund Burke, Jeremy Bentham, and T.R. Malthus attempted to discipline the social body and make state power immune from popular response. But once negated, counter-power persisted, even if in the demands of a debased, inhuman body. This response wis writ large in Gothic tales, especially Matthew Lewis's The Monk and Mary Shelley's Frankenstein, and in the innovative, embodied political practices of the mass movements for Reform and the Charter. By interpreting the formation of modern English culture through the early modern practice of reciprocity, David Collings constructs a "nonmodern" mode of analysis, one that sees modernity not as a break from the past but as the result of attempts to transform traditions that, however distorted, nevertheless remain broadly in force.

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