Description

“I made these pictures exactly as if I was taking pictures in Wilkes-Barre, my hometown. I was led only by what I could see on the street. Of course, the extreme newness of this giant country, Mexico, was shocking to me. There really is surrealism in the air.”
—Mark Cohen

Between 1981 and 2003, Mark Cohen travelled to Mexico eight times. Seduced by the “surrealist” qualities he found there, Cohen took his camera to the streets of Mexico City, Oaxaca City, and Mérida, as well as other parts of the Yucatán. Following his split-second impulses, Cohen took his signature “grab shots,” often flooding the subjects with the artificial light of the flash. His black-and-white photographs, taken at arm’s length with minimal focus, capture the textures and rhythms of gritty city streets and city life. Reminiscent of Cohen’s iconic photographs of working-class Pennsylvania towns, yet imbued with a perceptible sense of foreignness, these Mexican images convey the restless energy and strangeness of daily life.

Mexico: Photographs by Mark Cohen

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Hardback by Mark Cohen

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Short Description:

“I made these pictures exactly as if I was taking pictures in Wilkes-Barre, my hometown. I was led only by... Read more

    Publisher: University of Texas Press
    Publication Date: 25/10/2016
    ISBN13: 9781477311714, 978-1477311714
    ISBN10: 1477311718

    Number of Pages: 240

    Non Fiction , Art & Photography

    Description

    “I made these pictures exactly as if I was taking pictures in Wilkes-Barre, my hometown. I was led only by what I could see on the street. Of course, the extreme newness of this giant country, Mexico, was shocking to me. There really is surrealism in the air.”
    —Mark Cohen

    Between 1981 and 2003, Mark Cohen travelled to Mexico eight times. Seduced by the “surrealist” qualities he found there, Cohen took his camera to the streets of Mexico City, Oaxaca City, and Mérida, as well as other parts of the Yucatán. Following his split-second impulses, Cohen took his signature “grab shots,” often flooding the subjects with the artificial light of the flash. His black-and-white photographs, taken at arm’s length with minimal focus, capture the textures and rhythms of gritty city streets and city life. Reminiscent of Cohen’s iconic photographs of working-class Pennsylvania towns, yet imbued with a perceptible sense of foreignness, these Mexican images convey the restless energy and strangeness of daily life.

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