Description
Book SynopsisDuring the 1830s and 1840s the remarkably versatile composer-pianist-organist-conductor Felix Mendelssohn-Bartholdy stood at the forefront of German and English musical life. Bringing together previously unpublished essays by historians and musicologists, reflections on Mendelssohn written by his contemporaries, the composer''s own letters, and early critical reviews of his music, this volume explores various facets of Mendelssohn''s music, his social and intellectual circles, and his career. The essays in Part I cover the nature of a Jewish identity in Mendelssohn''s music (Leon Botstein); his relationship to the Berlin Singakademie (William A. Little); the role of his sister Fanny Hensel, herself a child prodigy and accomplished composer (Nancy Reich); Mendelssohn''s compositional craft in the Italian Symphony and selected concert overtures (Claudio Spies); his oratorio Elijah (Martin Staehelin); his incidental music to Sophocles'' Antigone (Michael P. Steinberg); his anthem Why,
Trade Review
One of Choice's Outstanding Academic Titles for 1992 "Mendelssohn and His World... is richly textured in its approaches-music-, social-, and religious-historical; biographical; analytic; and documentary-and, what is perhaps more rewarding, in the implicit dialogues engendered by its inherent multiplicity of voices."--Notes
Table of Contents
*FrontMatter, pg. i*Contents, pg. v*Preface, pg. ix*Acknowledgments, pg. xiii*The Aesthetics of Assimilation and Affirmation: Reconstructing the Career of Felix Mendelssohn, pg. 5*Some Notes on an Anthem by Mendelssohn, pg. 43*Mendelssohn and the Berlin Singakademie: The Composer at the Crossroads, pg. 65*The Power of Class: Fanny Hensel, pg. 86*Samplings, pg. 100*Elijah, Johann Sebastian Bach, and the New Covenant: On the Aria "Es ist genug" in Felix Mendelssohn- Bartholdy"s Oratorio Elijah, pg. 121*The Incidental Politics to Mendelssohn's Antigone, pg. 137*The Unfinished Mendelssohn, pg. 158*Conversations with Felix Mendelssohn, pg. 187*From the Memoirs of Adolf Bernhard Marx, pg. 206*Reminiscences of Felix Mendelssohn-Bartholdy, pg. 221*Reminiscences of Mendelssohn by His English Pupil, pg. 237*From the Memoirs of F. Max Muller, pg. 252*From the Memoirs of Ernst Rudorff, pg. 259*Letters from Felix Mendelssohn-Bartholdy to Aloys Fuchs, pg. 275*Mendelssohn as Teacher, pg. 310*Robert Schumann with Reference to Mendelssohn-Bartholdy and the Development of Modern Music in General, pg. 341*Heinrich Heine on Mendelssohn, pg. 352*On F. Mendelssohn-Bartholdy's Oratorio Elijah, pg. 364*On Mendelssohn and Some of His Contemporary Critics, pg. 382*Felix Mendelssohn, pg. 390*Index of Names and Compositions, pg. 395*List of Contributors, pg. 402
