Description

Book Synopsis
Pianist Helmut Deutsch relates his journey from unknown repetiteur to one of the most refined and sought-after accompanists of the modern era. In this book, he gives, with humour and modesty, fascinating insights into pianistic technique, repertoire, performance, interpersonal relationships, and the special qualities required for his profession.

Trade Review
'This is a book which will surely appeal to any classical music lover, and in particular those with a penchant for lieder. Meanwhile pianists, and especially those who practice the art of accompanying, will find that the book offers a plethora of expert insight and valuable understanding. For college students learning this art, and those intent on a portfolio career, the book is absolutely invaluable.' - Andrew Eales @pianodao.com. 'All lovers of song will want this book, it illuminates with wit what it is to be an accompanist, and provides a clear-sighted view from 50 years partnering singers.' Robert Hugill @planethugill.com 'Outstanding. How often does one read a book from the first page to the last without putting it down? And feel sad when one has finished?' - Ingrid Wanja, OperaLounge ; 'This volume is quite simply treasure-trove: required reading for all those devoted to Lieder, and a wonderfully tasty appetizer for those as yet unfamiliar with the genre.' - Rotary-Magazin ; 'This book describes, with humour and with intelligence, Helmut Deutsch's journey from unknown repetiteur to one of the most sought-after accompanists of the modern era. Apart from pianistic technique we also learn the qualities required for his profession of accompanist: empathy, flexibility, psychological sensitivity, patience and the ability to take a step back and be at the service of others.' - Nicole Restle, Das Magazin der Berliner Philharmoniker

Table of Contents
Foreword by Alfred Brendel, Translator's note, Acknowledgements, Prologue, 1. Hermann Prey. The first concert, 2. ' . . . and dream a blissful dream.' Japan, 3. 'What a dream profession!' The years with Hermann Prey, 4. Even Karajan had to laugh. Childhood and adolescence, 5. The right partnership. Early years as a song accompanist. Ileana Cotrubas, Irmgard Seefried, Rita Streich, 6. Hermann Prey. Winterreisen and anecdotes, 7. Yumiko Samejima, 8. Josef Protschka, 9. Olaf Bar, 10. Brigitte Fassbaender, 11. Practising, 12. Working with the singer, 13. Bo Skovhus, 14. Bernd Weikl, 15. Peter Schreier, 16. Thomas Quasthoff, 17. Teaching, 18. Juliane Banse, 19. Dietrich Henschel, 20. Jonas Kaufmann, 21. Stefanie Iranyi, 22. Mauro Peter, 23. Of pianos and concert-grands, 24. The day of the concert, 25. The concert, 26. Page-turners, 27. After the concert, 28. Barbara Bonney, 29. Angelika Kirchschlager, 30. Programmes, 31. Andreas Schmidt, 32. Recordings, 33. Grace Bumbry, 34. Matthias Goerne, 35. The press, 36. Werktreue and liberties, 37. Michael Volle, 38. Diana Damrau, 39. Competitions, 40. Piotr Beczala, 41. Camilla Nylund, 42. Singers and accompanists, 43. The Liederabend - past and future, 44. Epilogue, Appendices: Contributor biographies, The singers, Selected discography, Index of names

Memoirs of an Accompanist

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A Paperback / softback by Helmut Deutsch, Alfred Brendel, Richard Stokes

15 in stock


    View other formats and editions of Memoirs of an Accompanist by Helmut Deutsch

    Publisher: Kahn & Averill
    Publication Date: 07/09/2020
    ISBN13: 9780995757448, 978-0995757448
    ISBN10: 995757445

    Description

    Book Synopsis
    Pianist Helmut Deutsch relates his journey from unknown repetiteur to one of the most refined and sought-after accompanists of the modern era. In this book, he gives, with humour and modesty, fascinating insights into pianistic technique, repertoire, performance, interpersonal relationships, and the special qualities required for his profession.

    Trade Review
    'This is a book which will surely appeal to any classical music lover, and in particular those with a penchant for lieder. Meanwhile pianists, and especially those who practice the art of accompanying, will find that the book offers a plethora of expert insight and valuable understanding. For college students learning this art, and those intent on a portfolio career, the book is absolutely invaluable.' - Andrew Eales @pianodao.com. 'All lovers of song will want this book, it illuminates with wit what it is to be an accompanist, and provides a clear-sighted view from 50 years partnering singers.' Robert Hugill @planethugill.com 'Outstanding. How often does one read a book from the first page to the last without putting it down? And feel sad when one has finished?' - Ingrid Wanja, OperaLounge ; 'This volume is quite simply treasure-trove: required reading for all those devoted to Lieder, and a wonderfully tasty appetizer for those as yet unfamiliar with the genre.' - Rotary-Magazin ; 'This book describes, with humour and with intelligence, Helmut Deutsch's journey from unknown repetiteur to one of the most sought-after accompanists of the modern era. Apart from pianistic technique we also learn the qualities required for his profession of accompanist: empathy, flexibility, psychological sensitivity, patience and the ability to take a step back and be at the service of others.' - Nicole Restle, Das Magazin der Berliner Philharmoniker

    Table of Contents
    Foreword by Alfred Brendel, Translator's note, Acknowledgements, Prologue, 1. Hermann Prey. The first concert, 2. ' . . . and dream a blissful dream.' Japan, 3. 'What a dream profession!' The years with Hermann Prey, 4. Even Karajan had to laugh. Childhood and adolescence, 5. The right partnership. Early years as a song accompanist. Ileana Cotrubas, Irmgard Seefried, Rita Streich, 6. Hermann Prey. Winterreisen and anecdotes, 7. Yumiko Samejima, 8. Josef Protschka, 9. Olaf Bar, 10. Brigitte Fassbaender, 11. Practising, 12. Working with the singer, 13. Bo Skovhus, 14. Bernd Weikl, 15. Peter Schreier, 16. Thomas Quasthoff, 17. Teaching, 18. Juliane Banse, 19. Dietrich Henschel, 20. Jonas Kaufmann, 21. Stefanie Iranyi, 22. Mauro Peter, 23. Of pianos and concert-grands, 24. The day of the concert, 25. The concert, 26. Page-turners, 27. After the concert, 28. Barbara Bonney, 29. Angelika Kirchschlager, 30. Programmes, 31. Andreas Schmidt, 32. Recordings, 33. Grace Bumbry, 34. Matthias Goerne, 35. The press, 36. Werktreue and liberties, 37. Michael Volle, 38. Diana Damrau, 39. Competitions, 40. Piotr Beczala, 41. Camilla Nylund, 42. Singers and accompanists, 43. The Liederabend - past and future, 44. Epilogue, Appendices: Contributor biographies, The singers, Selected discography, Index of names

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