Description
Book SynopsisWINNER of the 2023 CHOICE Outstanding Academic Title Award Follows the fascinating story of musical timekeeping, beginning in an age before the existence of external measuring devices and continuing to the present-day use of the Smartphone app. The book opens with an exploration of musical time keeping as expressed in the artwork and musical writing of the Renaissance, sources that inform our early understanding of an age when music making was bound up with motions of the body and the pulsing of the human heart. With the adoption of the simple pendulum and the subsequent incorporation of tempo-related language, musicians gained the ability to communicate concepts of speed and slowness with ever-increasing precision. The seventeenth and eighteenth centuries witnessed the development of a diverse array of musical time-keeping devices, yet it was not until the nineteenth century that a single device combined the critical elements of accuracy, functionality and affordability. Enter the metronome: portable and affordable, a triumph of innovation that enabled musicians to establish and faithfully reproduce musical time with accuracy and ease. From Beethoven to Ligeti, Moskovitz looks to a number of distinguished composers who used or refused this revolutionary machine and explores the complicated relationship that unfolded between the metronome, the musical world and practitioners in other disciplines who sought to exploit its potential. Engagingly written, Measure: In Pursuit of Musical Time will appeal to professionals and amateurs alike.
Trade ReviewThrough its historical depth, vivid explanations, and engaging narrative, Measure provides a valuable resource for those seeking to think more pointedly about the history of and ideas surrounding musical time. With this book, readers will find a captivating journey into the heartbeat of music itself. -- Katie Bank * H-NET REVIEWS *
This is a fascinating study of the history of keeping time in music, from pulse to pendulum to metronome. It reminds us that such seemingly dry and rigorous methods were developed to preserve a composer's intentions or to perfect a performer's rhythm, thus allowing for maximum freedom and faithful inspiration in performance. * Stephen Hough, pianist, composer, writer. *
Table of ContentsIntroduction HANDS 1 Hand and Heart 2 Motion and Rest PENDULUMS 3 A Logically Ordered Universe 4 A Line, a Weight and a Nail 5 Court and Académie 6 New Systems 7 Curiosities and Chronometers 8 Revolutionary Minds 9 Clockwork 10 Hammers, Dials and Barrels METRONOMES 11 Winkel's Prototype 12 Maelzel's Metronome 13 Composer's Calibrations 14 An Incomparable Lack of Judgement 15 New Currents 16 Metronome Sense Afterword: Last Object Works Cited
