Description

Martha Bibescu (Bucharest, 1886 - Paris, 1973) was one of the greatest and most representative protagonists of the extraordinary world of the Belle Époque, of which Paris, which became her adopted city, was the capital. Linked to the most important political and intellectual personalities of the time, from the kings of Romania to King Alfonso XIII of Spain, from Charles de Gaulle to Winston Churchill and Marcel Proust, Martha intertwined her life with that of the sculptor and architect Domenico Rupolo (Caneva, 1861-1945), the creator of the radical modernisation, lasting almost twenty-five years, of the Bibescu palace in Mogo?oaia. To crown the profound association that bound him to Martha, Rupolo executed the hitherto unpublished marble portrait of her in 1933, on which this volume focuses. This face emerging enigmatically from the marble, a paradigm of the art and culture of an entire era, is a remarkable and unexpected addition to the portraiture of one of the most popular women

Martha Bibescu Queen of the Belle Epoque

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Hardback by Elena Lago

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Martha Bibescu (Bucharest, 1886 - Paris, 1973) was one of the greatest and most representative protagonists of the extraordinary world... Read more

    Publisher: Officina Libraria
    Publication Date: 1/20/2024
    ISBN13: 9788833672694, 978-8833672694
    ISBN10: 8833672697

    Non Fiction , Art & Photography

    Description

    Martha Bibescu (Bucharest, 1886 - Paris, 1973) was one of the greatest and most representative protagonists of the extraordinary world of the Belle Époque, of which Paris, which became her adopted city, was the capital. Linked to the most important political and intellectual personalities of the time, from the kings of Romania to King Alfonso XIII of Spain, from Charles de Gaulle to Winston Churchill and Marcel Proust, Martha intertwined her life with that of the sculptor and architect Domenico Rupolo (Caneva, 1861-1945), the creator of the radical modernisation, lasting almost twenty-five years, of the Bibescu palace in Mogo?oaia. To crown the profound association that bound him to Martha, Rupolo executed the hitherto unpublished marble portrait of her in 1933, on which this volume focuses. This face emerging enigmatically from the marble, a paradigm of the art and culture of an entire era, is a remarkable and unexpected addition to the portraiture of one of the most popular women

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