Description
Book SynopsisAn examination of the numerous adaptations of Malory's Morte Darthur for children in the nineteenth and twentieth centuries. From the time when the writer J.T. Knowles first adapted Thomas Malory's Morte Darthur for a juvenile audience in 1862, there has been a strong connection between children and the Arthurian legend. Between 1862 and 1980, numerous adaptations of the Morte were produced for a young audience in Britain and America. They participated in cultural dialogues relating to the medieval, literary heritage, masculine development, risk, adventure and mental health through their reworking of the narrative. Covering texts by J.T. Knowles, Sidney Lanier, Howard Pyle, T.H. White, Roger Lancelyn Green, Alice Hadfield, John Steinbeck and Susan Cooper, among others, this volume explores how books for children frequently become books about children, and consequently books about the contiguity and separation of the adult and the child. Against the backdrop of Victorian medievalism, imperialism, the rise of child psychology and two world wars, the diverse ways in which Malory's text has been altered with a child reader in mind reveals changing ideas regarding the relevance of King Arthur, and the complex relationship between authors and their imagined juvenile readers. It reveals the profoundly fantasised figures behind literary representations of childhood, and the ways in which Malory's timeless tale, and the figure of King Arthur, have inspiredand shaped these fantasies. Dr ELLY MCCAUSLAND is Senior Lecturer in British and American literature at the University of Oslo.
Trade ReviewA valuable addition to the study of the reception of Malory and of his place in the development of children's lit as a field, but could also be read by anyone interested in the formation of English literary canons. * ANGLIA *
McCausland (British and American literature, Univ. of Oslo, Norway) provides a thoughtful exploration of various adaptations of Malory's 15th-century Mort D'Arthur into children's editions, ranging from James Knowles's 1862 The Legends of King Arthur and His Knights to John Steinbeck's 1976 adaption The Acts of King Arthur and His Noble Knights. * CHOICE *
[R]epresents an excellent piece of scholarship and should serve as an important piece of research within Arthuriana. * CHILDREN'S LITERATURE ASSOCIATION QUARTERLY *
Table of ContentsIntroduction 'Ever fresh and fascinating to the boy and girl of today': the timeless child and the childish medieval in nineteenth-century Arthuriana Risk and revenue: adventurous Arthurian masculinities in the work of Howard Pyle and Henry Gilbert The ill-made adult and the mother's curse: psychoanalysing the Arthurian child in T. H. White's The Once and Future King 'Monty Python was not that far away': the instability of 1950s Arthuriana for children 'For a little while a magician': potent childish fantasies in John Steinbeck's Acts of King Arthur and his Noble Knights Conclusion: At the crossing-places Bibliography
