Description

Fascination with the arcane is a driving force in this comprehensive survey of conspiracy fiction. Theodore Ziolkowski traces the evolution of cults, orders, lodges, secret societies, and conspiracies through various literary manifestations-drama, romance, epic, novel, opera-down to the thrillers of the twenty-first century. Lure of the Arcane considers Euripides's Bacchae, Andreae's Chymical Wedding, Mozart's The Magic Flute, and Eco's Foucault's Pendulum, among other seminal works. Mimicking the genre's quest-driven narrative arc, the reader searches for the significance of conspiracy fiction and is rewarded with the author's cogent reflections in the final chapter. After much investigation, Ziolkowski reinforces Umberto Eco's notion that the most powerful secret, the magnetic center of conspiracy fiction, is in fact "a secret without content."

Lure of the Arcane: The Literature of Cult and Conspiracy

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Hardback by Theodore Ziolkowski

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Fascination with the arcane is a driving force in this comprehensive survey of conspiracy fiction. Theodore Ziolkowski traces the evolution... Read more

    Publisher: Johns Hopkins University Press
    Publication Date: 10/10/2013
    ISBN13: 9781421409580, 978-1421409580
    ISBN10: 1421409585

    Number of Pages: 248

    Non Fiction , ELT & Literary Studies , Education

    Description

    Fascination with the arcane is a driving force in this comprehensive survey of conspiracy fiction. Theodore Ziolkowski traces the evolution of cults, orders, lodges, secret societies, and conspiracies through various literary manifestations-drama, romance, epic, novel, opera-down to the thrillers of the twenty-first century. Lure of the Arcane considers Euripides's Bacchae, Andreae's Chymical Wedding, Mozart's The Magic Flute, and Eco's Foucault's Pendulum, among other seminal works. Mimicking the genre's quest-driven narrative arc, the reader searches for the significance of conspiracy fiction and is rewarded with the author's cogent reflections in the final chapter. After much investigation, Ziolkowski reinforces Umberto Eco's notion that the most powerful secret, the magnetic center of conspiracy fiction, is in fact "a secret without content."

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