Description

A major new monograph on the American photographer Louis Stettner (19222016), published to accompany the largest retrospective on his work to date. Brooklyn-born Louis Stettner (19222016) created thousands of images over the course of a career that spanned almost eighty years. Acquiring his first camera as a young teenager, he quickly made a name for himself at New York's famous Photo League, where he formed friendships with Sid Grossman and Weegee. He served as a combat photographer in World War II, and the experience of fighting fascism left him with a lasting belief in the fundamental humanity of the common man. After the war, Stettner arrived in Paris in 1947, where he stayed for five years. During this time, he forged a lasting relationship with Brassaï, the city and its people. Stettner's work defies categorization, containing elements of both the New York street photography aesthetic and the lyrical humanism of the French tradition. A lifelong Marxist, Stettner celebrated

Louis Stettner

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Hardback by David Campany

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A major new monograph on the American photographer Louis Stettner (19222016), published to accompany the largest retrospective on his work... Read more

    Publisher: Thames & Hudson Ltd
    Publication Date: 7/18/2024
    ISBN13: 9780500028544, 978-0500028544
    ISBN10: 0500028540

    Non Fiction , Art & Photography

    Description

    A major new monograph on the American photographer Louis Stettner (19222016), published to accompany the largest retrospective on his work to date. Brooklyn-born Louis Stettner (19222016) created thousands of images over the course of a career that spanned almost eighty years. Acquiring his first camera as a young teenager, he quickly made a name for himself at New York's famous Photo League, where he formed friendships with Sid Grossman and Weegee. He served as a combat photographer in World War II, and the experience of fighting fascism left him with a lasting belief in the fundamental humanity of the common man. After the war, Stettner arrived in Paris in 1947, where he stayed for five years. During this time, he forged a lasting relationship with Brassaï, the city and its people. Stettner's work defies categorization, containing elements of both the New York street photography aesthetic and the lyrical humanism of the French tradition. A lifelong Marxist, Stettner celebrated

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