Description

Lobgesang was written for the 400th anniversary of the invention of moveable type by Johannes Gutenberg, an event celebrated in Leizig in the Summer of 1840. The work unites some of Mendlessohn''s most pressing compositional concerns: to bring the Church and the concert hall one step closer together, as he felt had already been accomplished in England, and, at the same time, to give expression to his dydactic and educational impetus while creating a novel genre, transcending conventional boundaries.

Lobgesang (Sinfonie Nr. 2 B-Dur) op. 52 (Klavierauszug)
Lobgesang wurde anlässlich des 400. Jahrestags der Erfindung der beweglichen Lettern durch Johannes Gutenberg geschrieben, ein Ereignis, das im Sommer 1840 in Leipzig gefeiert wurde. Das Werk vereint einige der dringendsten kompositorischen Anliegen Mendlessohns: die Kirche und den Konzertsaal einen Schritt näher zu bringen zusammenzuführen, wie es seiner Meinung nach in England bereits gelungen war, und

Lobgesang Song of Praise Symphony No. 2 Op.52

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Lobgesang was written for the 400th anniversary of the invention of moveable type by Johannes Gutenberg, an event celebrated in... Read more

    Publisher: Edition Peters
    Publication Date: 01/12/2001
    ISBN13: 9790014104177, 979-0014104177
    ISBN10: 9790014104177

    Non Fiction , Entertainment

    Description

    Lobgesang was written for the 400th anniversary of the invention of moveable type by Johannes Gutenberg, an event celebrated in Leizig in the Summer of 1840. The work unites some of Mendlessohn''s most pressing compositional concerns: to bring the Church and the concert hall one step closer together, as he felt had already been accomplished in England, and, at the same time, to give expression to his dydactic and educational impetus while creating a novel genre, transcending conventional boundaries.

    Lobgesang (Sinfonie Nr. 2 B-Dur) op. 52 (Klavierauszug)
    Lobgesang wurde anlässlich des 400. Jahrestags der Erfindung der beweglichen Lettern durch Johannes Gutenberg geschrieben, ein Ereignis, das im Sommer 1840 in Leipzig gefeiert wurde. Das Werk vereint einige der dringendsten kompositorischen Anliegen Mendlessohns: die Kirche und den Konzertsaal einen Schritt näher zu bringen zusammenzuführen, wie es seiner Meinung nach in England bereits gelungen war, und

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