Description

Book Synopsis

What happens when television is part of your cultural DNA? Twelve writers talk about their influences, and they're more Magnum PI that Marcel Proust. This is cultural criticism from an enthusiast's point of view—taking sitcoms and dramedies and very special episodes seriously, not because they're art, but because they matter to us. Little Boxes is TV writing not as “Why I Loved Parker Lewis Can't Lose” but “What Is Up with Everyone in the 80s Having a Domestic: The Different Strokes/Gimme a Break/Mr. Belvedere/Charles in Charge Story.”

From Edan Lepucki’s “My Monster”:

What I remember: a dead girl wrapped in plastic, and another one half-alive and stumbling along train tracks, her body covered in cuts and bruises, her clothes torn. Letters tweezed from beneath fingernails. The dead girl blue-white like a vein. Her name is Laura Palmer. There’s also a lady cradling a log, and a beautiful woman who knots cherry stems with her tongue. Handsome Agent Cooper with his hair slicked back. The name Peggy Lipton lingering across the screen as the eerie theme song sluices through my veins.



Trade Review
“From Twin Peaks to Daria, Little Boxes is filled to the brim with sharp writing that is at once critical and utterly personal, penned by a diverse list of writers.” —Shakespeare & Punk

Table of Contents
Essays by: Jennine Capo Crucet T Fleischmann Jenny Hendrix Alexandra Kleeman Maris Kreizman Jennifer 8 Lee Edan Lepucki Nina McConigley Justin Taylor Justin Torres Ryan Van Meter

Little Boxes

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    £12.34

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    RRP £12.99 – you save £0.65 (5%)

    Order before 4pm tomorrow for delivery by Sat 27 Jun 2026.

    A Paperback / softback by Caroline Casey

    Out of stock


      View other formats and editions of Little Boxes by Caroline Casey

      Publisher: Coffee House Press
      Publication Date: 24/08/2017
      ISBN13: 9781566894722, 978-1566894722
      ISBN10: 1566894727

      Description

      Book Synopsis

      What happens when television is part of your cultural DNA? Twelve writers talk about their influences, and they're more Magnum PI that Marcel Proust. This is cultural criticism from an enthusiast's point of view—taking sitcoms and dramedies and very special episodes seriously, not because they're art, but because they matter to us. Little Boxes is TV writing not as “Why I Loved Parker Lewis Can't Lose” but “What Is Up with Everyone in the 80s Having a Domestic: The Different Strokes/Gimme a Break/Mr. Belvedere/Charles in Charge Story.”

      From Edan Lepucki’s “My Monster”:

      What I remember: a dead girl wrapped in plastic, and another one half-alive and stumbling along train tracks, her body covered in cuts and bruises, her clothes torn. Letters tweezed from beneath fingernails. The dead girl blue-white like a vein. Her name is Laura Palmer. There’s also a lady cradling a log, and a beautiful woman who knots cherry stems with her tongue. Handsome Agent Cooper with his hair slicked back. The name Peggy Lipton lingering across the screen as the eerie theme song sluices through my veins.



      Trade Review
      “From Twin Peaks to Daria, Little Boxes is filled to the brim with sharp writing that is at once critical and utterly personal, penned by a diverse list of writers.” —Shakespeare & Punk

      Table of Contents
      Essays by: Jennine Capo Crucet T Fleischmann Jenny Hendrix Alexandra Kleeman Maris Kreizman Jennifer 8 Lee Edan Lepucki Nina McConigley Justin Taylor Justin Torres Ryan Van Meter

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