Description
Book SynopsisTrade Review"Splendid . . .
Law and the Imagination in Medieval Wales should effect a permanent widening of the imaginations of historians approaching medieval Wales. It deservedly won the Francis Jones Prize for the best book on Welsh history of any period published in 2018, but it should also be read by historians for whom Wales is only a passing interest. Not only does it display a high quality of imaginative perception but it is beautifully written." *
Speculum *
"
Law and the Imagination in Medieval Wales is an impressive book that offers stunning new ways of reading Welsh law. It challenges historians to attend to the literary aspects of Welsh lawbooks, while inviting literary scholars to approach Welsh law as imaginative literature in its own right, and not simply as source texts consulted to solve literary cruces." *
American Historical Review *
"Stacey builds the convincing case that to read Welsh legal texts just as legal text is to miss the point of some of these texts altogether...This book is meticulously researched, convincing, and sensitively written. It demonstrates once again that many of the things we thought we knewabout medieval Wales are not quite as straightforward as originally thought, and that an approach such as this is vital for understanding its manysubtleties." * Journal of English and Germanic Philology *
"Only a scholar of Robin Chapman Stacey's caliber could have produced such a scholarly work as this. She has broadened and deepened our understanding of not just the Welsh legal texts, but also the ways in which the literary texts interact with and inform our understanding of the laws. By combining both points of view, new ways of interpreting both types of texts emerge. The analytical model presented here will inform future generations of scholars both within and outside the field of Welsh law." *
North American Journal of Celtic Studies *
"A field-changing book. Robin Chapman Stacey's approach not only offers a valuable corrective to those histories that treat legal texts as straightforward representations of practice; it also gets us out of the mire of speculation about lost manuscripts, dating, and provenance." * Emily Steiner, University of Pennsylvania *
"Drawing on research into the poetry, narrative, and biography of the period, as well as its law and literature, Robin Chapman Stacey argues that the corpus of medieval Welsh Law known as
Cyfraith Hywel Dda is a political document emerging from a changing thirteenth-century Wales in which the nobility and learned classes felt themselves and their traditions threatened by English cultural influence and political power on one hand, and the expanding pretensions of Welsh princes on the other." * Catherine McKenna, Harvard University *
Table of ContentsIntroduction. Reading Law
PART I. IMAGINED LANDSCAPES
Chapter 1. Britain and Wales
Chapter 2. Court and Country
PART II. BODY AND BAWDY
Chapter 3. Bodies and Nobodies
Chapter 4. Humor and the Household
Chapter 5. Sex and Marriage
PART III. VIOLENCE
Chapter 6. Dogs in the Nighttime
Conclusion. Law and the Imagination
List of Abbreviations
Notes
Bibliography
Index
Acknowledgments
