Description

The idea of a "Greater London" emerged in the 18th century with the expansion of the city's suburbs. In Landscapes of London, Elizabeth McKellar traces this growth back to the 17th century, when domestic retreats were established in outlying areas. This transitional zone was occupied and shaped by the urban middle class as much as by the elite who built villas there. McKellar provides the first major interdisciplinary cultural history of this area, analyzing it in relation to key architectural and planning debates and to concepts of national, social, and gender identities. She draws on a wide range of source materials, including prints, paintings, maps, poetry, songs, newspapers, guidebooks, and other popular literature, as well as buildings and landscapes. The author suggests that these suburban landscapes—the first in the world—were a new environment, but one in which the vernacular, the rustic, and the historic played a substantial part. This fascinating investigation shows London as the forerunner of the complex, multifaceted modern cities of today.




Published for the Paul Mellon Centre for Studies in British Art

Landscapes of London: The City, the Country, and the Suburbs, 1660–1840

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Hardback by Elizabeth McKellar

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The idea of a "Greater London" emerged in the 18th century with the expansion of the city's suburbs. In Landscapes... Read more

    Publisher: Yale University Press
    Publication Date: 15/12/2013
    ISBN13: 9780300109139, 978-0300109139
    ISBN10: 030010913X

    Number of Pages: 276

    Non Fiction , Art & Photography

    Description

    The idea of a "Greater London" emerged in the 18th century with the expansion of the city's suburbs. In Landscapes of London, Elizabeth McKellar traces this growth back to the 17th century, when domestic retreats were established in outlying areas. This transitional zone was occupied and shaped by the urban middle class as much as by the elite who built villas there. McKellar provides the first major interdisciplinary cultural history of this area, analyzing it in relation to key architectural and planning debates and to concepts of national, social, and gender identities. She draws on a wide range of source materials, including prints, paintings, maps, poetry, songs, newspapers, guidebooks, and other popular literature, as well as buildings and landscapes. The author suggests that these suburban landscapes—the first in the world—were a new environment, but one in which the vernacular, the rustic, and the historic played a substantial part. This fascinating investigation shows London as the forerunner of the complex, multifaceted modern cities of today.




    Published for the Paul Mellon Centre for Studies in British Art

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