Description

Book Synopsis
Survey of the criticism devoted to Kafka's The Castle, his final novel. Kafka's final, unfinished novel, The Castle, remains one of the most celebrated yet most impenetrable masterpieces of modernist fiction, and a focus of literary criticsm and theory. In this chronological survey of the critical attention it has attracted, both academic and non-academic, Professor Dowden emphasises the acts of critical imagination which have shaped our image and understanding of Kafka and the novel. He explores the historical and cultural milieus of criticism, from the Weimar Era of Max Brod and Walter Benjamin to Lionel Trilling's Cold War to postmodern multiculturalism and 'cultural studies', showing how and why The Castle has aroused strong opinionsin each generation of criticism; he also accounts for those moments in which the novel escapes from an historically anchored understanding into the realm of the universal.

Trade Review
[Dowden's] accessibly and forcefully written book (enlivened by words like 'hornswoggle' and 'boondoggle') is more than a Forschungsbericht: it is also a judicious, stimulating, and original contributions to the understanding of Kafka as well as Kafka's critics. * AUSTRIAN STUDIES *

Kafka's The Castle and the Critical Imagination

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    A Hardback by Stephen D. Dowden

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      View other formats and editions of Kafka's The Castle and the Critical Imagination by Stephen D. Dowden

      Publisher: Boydell & Brewer Ltd
      Publication Date: Publication Date: 25/05/1995
      ISBN13: 9781571130044, 978-1571130044
      ISBN10: 1571130047

      Description

      Book Synopsis
      Survey of the criticism devoted to Kafka's The Castle, his final novel. Kafka's final, unfinished novel, The Castle, remains one of the most celebrated yet most impenetrable masterpieces of modernist fiction, and a focus of literary criticsm and theory. In this chronological survey of the critical attention it has attracted, both academic and non-academic, Professor Dowden emphasises the acts of critical imagination which have shaped our image and understanding of Kafka and the novel. He explores the historical and cultural milieus of criticism, from the Weimar Era of Max Brod and Walter Benjamin to Lionel Trilling's Cold War to postmodern multiculturalism and 'cultural studies', showing how and why The Castle has aroused strong opinionsin each generation of criticism; he also accounts for those moments in which the novel escapes from an historically anchored understanding into the realm of the universal.

      Trade Review
      [Dowden's] accessibly and forcefully written book (enlivened by words like 'hornswoggle' and 'boondoggle') is more than a Forschungsbericht: it is also a judicious, stimulating, and original contributions to the understanding of Kafka as well as Kafka's critics. * AUSTRIAN STUDIES *

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