Description

Universally recognized as a brilliant and gifted 18th-century artist, Johan Zoffany (1733-1810) was regarded by Horace Walpole as one of the three greatest painters in England, along with his friends Reynolds and Gainsborough. Yet he has remained without a detailed study of his life and works, owing to the fascinating and complex vicissitudes of his career, now established from widely scattered sources. From being a late-baroque painter at a German princely court to working under the royal patronage of George III and Queen Charlotte, from his serious interest in Indian life and landscape, developed while living near Calcutta, to his attacks on the bloody progress of the French Revolution, Zoffany created pictures that document with incomparable liveliness the worlds and people among whom he moved.



Published for the Paul Mellon Centre for Studies in British Art

Johan Zoffany, R.A.: 1733-1810

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Universally recognized as a brilliant and gifted 18th-century artist, Johan Zoffany (1733-1810) was regarded by Horace Walpole as one of... Read more

    Publisher: Yale University Press
    Publication Date: 29/04/2011
    ISBN13: 9780300162783, 978-0300162783
    ISBN10: 0300162782

    Number of Pages: 720

    Non Fiction , Art & Photography

    Description

    Universally recognized as a brilliant and gifted 18th-century artist, Johan Zoffany (1733-1810) was regarded by Horace Walpole as one of the three greatest painters in England, along with his friends Reynolds and Gainsborough. Yet he has remained without a detailed study of his life and works, owing to the fascinating and complex vicissitudes of his career, now established from widely scattered sources. From being a late-baroque painter at a German princely court to working under the royal patronage of George III and Queen Charlotte, from his serious interest in Indian life and landscape, developed while living near Calcutta, to his attacks on the bloody progress of the French Revolution, Zoffany created pictures that document with incomparable liveliness the worlds and people among whom he moved.



    Published for the Paul Mellon Centre for Studies in British Art

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