Description

The year 1972 saw the release of Jethro Tull's iconic album, Thick As A Brick. A song spanning two whole sides of the LP with no gaps in between, Thick As A Brick was unusual even by so-called progressive rock standards at the time. Ironically, even though band leader Ian Anderson joked that the album was intended as "a bit of a spoof", it has gone on to be remembered as a masterpiece of the genre nearly fifty years later. In this book, music author Laura Shenton MA LLCM DipRSL offers an in depth perspective on Thick As A Brick from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Jethro Tull's legacy today. As the author explains: "Basically, the book covers how the album was made, what was going on with the music in terms of the artist's intentions, how it did musically and commercially and what happened next." The narrative is essentially driven by contemporary interviews with the artists with small bits of music theory where relevant... in some cases they delve into the structure / key signatures / time signatures, based on the original sheet music without straying away from being an engaging read for non-musicians.

Jethro Tull Thick As A Brick: In-depth

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The year 1972 saw the release of Jethro Tull's iconic album, Thick As A Brick. A song spanning two whole... Read more

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    Description

    The year 1972 saw the release of Jethro Tull's iconic album, Thick As A Brick. A song spanning two whole sides of the LP with no gaps in between, Thick As A Brick was unusual even by so-called progressive rock standards at the time. Ironically, even though band leader Ian Anderson joked that the album was intended as "a bit of a spoof", it has gone on to be remembered as a masterpiece of the genre nearly fifty years later. In this book, music author Laura Shenton MA LLCM DipRSL offers an in depth perspective on Thick As A Brick from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Jethro Tull's legacy today. As the author explains: "Basically, the book covers how the album was made, what was going on with the music in terms of the artist's intentions, how it did musically and commercially and what happened next." The narrative is essentially driven by contemporary interviews with the artists with small bits of music theory where relevant... in some cases they delve into the structure / key signatures / time signatures, based on the original sheet music without straying away from being an engaging read for non-musicians.

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