Description

These 10 original critical essays examine the fascinating writing of the Depression and World War II. Divided into four sections -Work, Community,War, and Documents - the volume focuses on texts that are typically ignored in accounts of modernism or The Auden Generation. Chapters examine writing by Elizabeth Bowen, Storm Jameson, William Empson, George Orwell, J. B. Priestley, Harold Heslop, T. H. White, Sylvia Townsend Warner, Rebecca West, John Grierson, Margery Allingham and Stella Gibbons. These authors were politically radical, or radically 'eccentric', and tended to be committed to working- and middle-class cultures, non-canonical genres, such as crime and fantasy, and minority forms of narrative, such as journalism, manifestos, film, and travel narratives, as well as novels. The volume supports further research with an appendix, 'Who Were the Intermodernists?', a listing of archival sources and an extensive bibliography.

Intermodernism: Literary Culture in Mid-twentieth-century Britain

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Paperback / softback by Kristin Bluemel

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These 10 original critical essays examine the fascinating writing of the Depression and World War II. Divided into four sections... Read more

    Publisher: Edinburgh University Press
    Publication Date: 27/05/2011
    ISBN13: 9780748642854, 978-0748642854
    ISBN10: 0748642854

    Number of Pages: 264

    Non Fiction , ELT & Literary Studies , Education

    Description

    These 10 original critical essays examine the fascinating writing of the Depression and World War II. Divided into four sections -Work, Community,War, and Documents - the volume focuses on texts that are typically ignored in accounts of modernism or The Auden Generation. Chapters examine writing by Elizabeth Bowen, Storm Jameson, William Empson, George Orwell, J. B. Priestley, Harold Heslop, T. H. White, Sylvia Townsend Warner, Rebecca West, John Grierson, Margery Allingham and Stella Gibbons. These authors were politically radical, or radically 'eccentric', and tended to be committed to working- and middle-class cultures, non-canonical genres, such as crime and fantasy, and minority forms of narrative, such as journalism, manifestos, film, and travel narratives, as well as novels. The volume supports further research with an appendix, 'Who Were the Intermodernists?', a listing of archival sources and an extensive bibliography.

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