Description

Book Synopsis

The postwar US political imagination coalesced around a quintessential midcentury American trope: happiness. In Incremental Realism, Mary Esteve offers a bold, revisionist literary and cultural history of efforts undertaken by literary realists, public intellectuals, and policy activists to advance the value of public institutions and the claims of socioeconomic justice.

Esteve specifically focuses on era-defining authors of realist fiction, including Philip Roth, Gwendolyn Brooks, Patricia Highsmith, Paula Fox, Peter Taylor, and Mary McCarthy, who mobilized the trope of happiness to reinforce the crucial value of public institutions, such as the public library, and the importance of pursuing socioeconomic justice, as envisioned by the United Nations Universal Declaration of Human Rights and welfare-state liberals. In addition to embracing specific symbols of happiness, these writers also developed narrative modes—what Esteve calls "incremental realism"—that made justifiable the claims of disadvantaged Americans on the nation-state and promoted a small-canvas aesthetics of moderation. With this powerful demonstration of the way postwar literary fiction linked the era's familiar trope of happiness to political arguments about socioeconomic fairness and individual flourishing, Esteve enlarges our sense of the postwar liberal imagination and its attentiveness to better, possible worlds.



Trade Review
"Mary Esteve has produced an original, ambitious, theoretically sophisticated, and deeply learned book that is both tightly focused and wide-ranging. Incremental Realism will be of interest to those seeking to understand the particularities of postwar American literature while also considering what, exactly, constitutes—or ought to constitute—this archive."—Steven Belletto, Lafayette College
"Once I started reading this book, I couldn't stop. Incremental Realism is a serious and valuable piece of literary and historical scholarship, but that doesn't give full credit to how the subject matter speaks to the priorities and questions of our own time, or for that matter the subtlety of the argumentation and the passionate commitment to social justice that palpably underlies it."—Bruce Robbins, Columbia University
"Esteve not only offers a new way of reading midcentury realist fiction, but she also garners renewed appreciation for the era's welfare-state liberalism... [The postmodernists'] utopian invitation to tear it all down and start over is profoundly alluring—and not particularly productive. The invitation in Incremental Realism is decidedly less sexy, but also redolent with realizable possibility for achieving socioeconomic justice: do the work."—Kathy Knapp, American Literary History

Table of Contents
Introduction: The Symbolic Economy of Postwar American Happiness
1. The Art, Sociology, and Library Politics of Happiness in Early Philip Roth
2. Gwendolyn Brooks and the Welfare State
3. Queer Consumerism, Straight Happiness: Patricia Highsmith's "Right Economy"
4. Countries of Health
5. Writing Mute Liberalism: Peter Taylor, the South, and Journeyman Happiness
Coda: The Politics of Contemporary Happiness

Incremental Realism: Postwar American Fiction,

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    A Paperback / softback by Mary Esteve

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      View other formats and editions of Incremental Realism: Postwar American Fiction, by Mary Esteve

      Publisher: Stanford University Press
      Publication Date: Publication Date: 19/01/2021
      ISBN13: 9781503614376, 978-1503614376
      ISBN10: 1503614379

      Description

      Book Synopsis

      The postwar US political imagination coalesced around a quintessential midcentury American trope: happiness. In Incremental Realism, Mary Esteve offers a bold, revisionist literary and cultural history of efforts undertaken by literary realists, public intellectuals, and policy activists to advance the value of public institutions and the claims of socioeconomic justice.

      Esteve specifically focuses on era-defining authors of realist fiction, including Philip Roth, Gwendolyn Brooks, Patricia Highsmith, Paula Fox, Peter Taylor, and Mary McCarthy, who mobilized the trope of happiness to reinforce the crucial value of public institutions, such as the public library, and the importance of pursuing socioeconomic justice, as envisioned by the United Nations Universal Declaration of Human Rights and welfare-state liberals. In addition to embracing specific symbols of happiness, these writers also developed narrative modes—what Esteve calls "incremental realism"—that made justifiable the claims of disadvantaged Americans on the nation-state and promoted a small-canvas aesthetics of moderation. With this powerful demonstration of the way postwar literary fiction linked the era's familiar trope of happiness to political arguments about socioeconomic fairness and individual flourishing, Esteve enlarges our sense of the postwar liberal imagination and its attentiveness to better, possible worlds.



      Trade Review
      "Mary Esteve has produced an original, ambitious, theoretically sophisticated, and deeply learned book that is both tightly focused and wide-ranging. Incremental Realism will be of interest to those seeking to understand the particularities of postwar American literature while also considering what, exactly, constitutes—or ought to constitute—this archive."—Steven Belletto, Lafayette College
      "Once I started reading this book, I couldn't stop. Incremental Realism is a serious and valuable piece of literary and historical scholarship, but that doesn't give full credit to how the subject matter speaks to the priorities and questions of our own time, or for that matter the subtlety of the argumentation and the passionate commitment to social justice that palpably underlies it."—Bruce Robbins, Columbia University
      "Esteve not only offers a new way of reading midcentury realist fiction, but she also garners renewed appreciation for the era's welfare-state liberalism... [The postmodernists'] utopian invitation to tear it all down and start over is profoundly alluring—and not particularly productive. The invitation in Incremental Realism is decidedly less sexy, but also redolent with realizable possibility for achieving socioeconomic justice: do the work."—Kathy Knapp, American Literary History

      Table of Contents
      Introduction: The Symbolic Economy of Postwar American Happiness
      1. The Art, Sociology, and Library Politics of Happiness in Early Philip Roth
      2. Gwendolyn Brooks and the Welfare State
      3. Queer Consumerism, Straight Happiness: Patricia Highsmith's "Right Economy"
      4. Countries of Health
      5. Writing Mute Liberalism: Peter Taylor, the South, and Journeyman Happiness
      Coda: The Politics of Contemporary Happiness

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