Description

An encyclopedic introduction to French Jewish literature as it has emerged since the late 1960s. This book provides a wide-ranging analysis of French Jewish authors born after the Shoal and traces the development of the rich agenda of jeune litterature juive (young Jewish writing) from its beginnings in the late 1970s, into the 1980s and 1990s, when it gained intense momentum. Thomas Nolden uses a wealth of biographical information to expound on his central thesis: the abrupt interruption of transmission of the Jewish heritage by assimilation, migration, and near-extermination required these writers to reinvent themselves their past, and their memories as Jews. Nolden provides concise readings of the fiction of more than two dozen writers of both Sephardic and Ashkenazi background living in present-day France. He demonstrates how contemporary Jewish writing has responded historically, culturally, politically, and aesthetically to developments in French society and in Jewish culture. His critical analysis of the major themes, concerns, and stylistic features of the authors' work connects Jewish writing in France to the traditions of Jewish writing both during the diaspora and in Israel.

In Lieu of Memory: Contemporary Jewish Writing in France

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Hardback by Thomas Nolden

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An encyclopedic introduction to French Jewish literature as it has emerged since the late 1960s. This book provides a wide-ranging... Read more

    Publisher: Syracuse University Press
    Publication Date: 30/01/2006
    ISBN13: 9780815630890, 978-0815630890
    ISBN10: 0815630891

    Number of Pages: 272

    Non Fiction , ELT & Literary Studies , Education

    Description

    An encyclopedic introduction to French Jewish literature as it has emerged since the late 1960s. This book provides a wide-ranging analysis of French Jewish authors born after the Shoal and traces the development of the rich agenda of jeune litterature juive (young Jewish writing) from its beginnings in the late 1970s, into the 1980s and 1990s, when it gained intense momentum. Thomas Nolden uses a wealth of biographical information to expound on his central thesis: the abrupt interruption of transmission of the Jewish heritage by assimilation, migration, and near-extermination required these writers to reinvent themselves their past, and their memories as Jews. Nolden provides concise readings of the fiction of more than two dozen writers of both Sephardic and Ashkenazi background living in present-day France. He demonstrates how contemporary Jewish writing has responded historically, culturally, politically, and aesthetically to developments in French society and in Jewish culture. His critical analysis of the major themes, concerns, and stylistic features of the authors' work connects Jewish writing in France to the traditions of Jewish writing both during the diaspora and in Israel.

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