Description

Art meets today’s political debate over immigration in this beautifully illustrated exploration of Nicario Jiménez Quispe’s retablos. This beautifully illustrated full-color book offers a unique depiction of the current immigration debate through the lens of renowned Peruvian artist Nicario Jiménez Quispe, a recent immigrant to the United States. An internationally recognized maker of retablos, Jiménez has begun creating work that powerfully encapsulates the struggles, possibilities, and tragedies of immigration from the Global South to North America. A decorative box with figures in the interior, a retablo traditionally was used to pay homage to certain saints in Peru. In Spain, they were used as portable altars for itinerant priests who carried them to perform mass in remote areas. In the Andes, the retablo became a sort of magical-religious box designed to increase fertility among animals that served as a means of exchange in a cash-free, rural environment. The authors, leading historians of Latin America, contextualize Jiménez’s compelling art, to offer creative new insights on the bitter immigration disputes that are dividing our nation.

Immigration in the Visual Art of Nicario Jiménez Quispe

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Hardback by Carol Damian , Michael J. LaRosa

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Art meets today’s political debate over immigration in this beautifully illustrated exploration of Nicario Jiménez Quispe’s retablos. This beautifully illustrated... Read more

    Publisher: Rowman & Littlefield
    Publication Date: 12/09/2019
    ISBN13: 9781538128527, 978-1538128527
    ISBN10: 1538128527

    Number of Pages: 144

    Non Fiction , Art & Photography

    Description

    Art meets today’s political debate over immigration in this beautifully illustrated exploration of Nicario Jiménez Quispe’s retablos. This beautifully illustrated full-color book offers a unique depiction of the current immigration debate through the lens of renowned Peruvian artist Nicario Jiménez Quispe, a recent immigrant to the United States. An internationally recognized maker of retablos, Jiménez has begun creating work that powerfully encapsulates the struggles, possibilities, and tragedies of immigration from the Global South to North America. A decorative box with figures in the interior, a retablo traditionally was used to pay homage to certain saints in Peru. In Spain, they were used as portable altars for itinerant priests who carried them to perform mass in remote areas. In the Andes, the retablo became a sort of magical-religious box designed to increase fertility among animals that served as a means of exchange in a cash-free, rural environment. The authors, leading historians of Latin America, contextualize Jiménez’s compelling art, to offer creative new insights on the bitter immigration disputes that are dividing our nation.

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