Description

Written between 1920 and 1932, all five were first published in small editions, three of them in France. These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward.”

The prose-poem improvisations (Kora in Hell) . . . the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) . . . an antinovel whose subject is the impossibility of writing "The Great American Novel" in America . . . automatic writing (A Novelette) . . . these are the challenges which Williams accepted and brilliantly met in his early work.

Imaginations: Kora in Hell / Spring and All / The Descent of Winter / The Great American Novel / A Novelette & Other Prose

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Paperback / softback by William Carlos Williams , Webster Schott

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Short Description:

Written between 1920 and 1932, all five were first published in small editions, three of them in France. These are... Read more

    Publisher: New Directions Publishing Corporation
    Publication Date: 01/02/1971
    ISBN13: 9780811202299, 978-0811202299
    ISBN10: 0811202291

    Number of Pages: 366

    Non Fiction , ELT & Literary Studies

    Description

    Written between 1920 and 1932, all five were first published in small editions, three of them in France. These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward.”

    The prose-poem improvisations (Kora in Hell) . . . the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) . . . an antinovel whose subject is the impossibility of writing "The Great American Novel" in America . . . automatic writing (A Novelette) . . . these are the challenges which Williams accepted and brilliantly met in his early work.

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