Description

A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist, Julie Tolentino. The book also chronicles the unprecedented partnership amongst five New York City institutions. Exhibitions and programming of Cantor's work were offered by 80WSWE, Maccarone, Foxy Productions, Participant Inc. , Electronic Arts Intermix (EAI), Skowhegan School of Painting, and MOMAhighlighting the lush, visionary, and audacious aspects of Cantor's drawings, paintings, curatorial projects, sculpture, assemblage, video, film, and evocative writing. Another section features a reprint of an interview between Cantor and Cerith Wyn Evans, a conversation between Lia Gangitano/Jonathan Berger and Julie Tolentino/Pati Hertling, as well as archival material from Cantor's diary entries and never-seen sketches fro

Im Still Coming COMING TO POWER 2016 1996

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A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art... Read more

    Publisher: Capricious LLC
    Publication Date: 01/10/2018
    ISBN13: 9780997444636, 978-0997444636
    ISBN10: 997444630

    Non Fiction , Art & Photography

    Description

    A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist, Julie Tolentino. The book also chronicles the unprecedented partnership amongst five New York City institutions. Exhibitions and programming of Cantor's work were offered by 80WSWE, Maccarone, Foxy Productions, Participant Inc. , Electronic Arts Intermix (EAI), Skowhegan School of Painting, and MOMAhighlighting the lush, visionary, and audacious aspects of Cantor's drawings, paintings, curatorial projects, sculpture, assemblage, video, film, and evocative writing. Another section features a reprint of an interview between Cantor and Cerith Wyn Evans, a conversation between Lia Gangitano/Jonathan Berger and Julie Tolentino/Pati Hertling, as well as archival material from Cantor's diary entries and never-seen sketches fro

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