Description

Book Synopsis
Presents a conceptual framework for understanding the development of improvised dance in late 20th-century America. This book also offers an understanding of the 'freedom' of improvisational dance. It is suitable for those interested in dance history and criticism, and for interdisciplinary audiences in the fields of American and cultural studies.

Trade Review
"This book will become the single most important reflection on the question of improvisation, a question which has become foundational to dance itself. The achievement of I Want to Be Ready lies not simply in its mastery of the relevant literature within dance, but in its capacity to engage dance in a deep and abiding dialogue with other expressive forms, to think improvisation through myriad sites and a rich vein of cultural diversity, and to join improvisation in dance with its manifestations in life so as to consider what constitutes dance's own politics." - Randy Martin, Tisch School of Arts at New York University"

I Want to Be Ready Improvised Dance as a

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    A Paperback / softback by Danielle Goldman

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      Publisher: The University of Michigan Press
      Publication Date: Publication Date: 30/05/2010
      ISBN13: 9780472050840, 978-0472050840
      ISBN10: 0472050842

      Description

      Book Synopsis
      Presents a conceptual framework for understanding the development of improvised dance in late 20th-century America. This book also offers an understanding of the 'freedom' of improvisational dance. It is suitable for those interested in dance history and criticism, and for interdisciplinary audiences in the fields of American and cultural studies.

      Trade Review
      "This book will become the single most important reflection on the question of improvisation, a question which has become foundational to dance itself. The achievement of I Want to Be Ready lies not simply in its mastery of the relevant literature within dance, but in its capacity to engage dance in a deep and abiding dialogue with other expressive forms, to think improvisation through myriad sites and a rich vein of cultural diversity, and to join improvisation in dance with its manifestations in life so as to consider what constitutes dance's own politics." - Randy Martin, Tisch School of Arts at New York University"

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