Description

Over five decades, the painter Humphrey Ocean RA's work has filtered into our national culture. This includes his series of portraits entitled A handbook of modern life displayed at the National Portrait Gallery in 2013; his portrait of Christopher Le Brun, President of the Royal Academy of Arts; and the cover of Sir Paul McCartney's 2007 album Memory Almost Full, which featured one of the Chair series. Ocean's practice encompasses painting, printmaking, sculpture, book-making and drawing. Of the last, he has said: 'Paper is lovely, immediate and personal. I draw as an end in itself.' In 2019 his exhibition 'Birds, Cars and Chairs' is on display at the Royal Academy of Arts. Of these subjects, he says: 'Birds, cars and chairs are, in that order, ancient, modern and intimate. Without them life would be a lot less bearable.' These works are reproduced alongside others in the book to provide a fascinating overview of Ocean's career, with an essay by Ben Thomas, which sets out to discover exactly what it is that makes Ocean's art so appealing and universal.

Humphrey Ocean

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Hardback by Ben Thomas

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Short Description:

Over five decades, the painter Humphrey Ocean RA's work has filtered into our national culture. This includes his series of... Read more

    Publisher: Royal Academy of Arts
    Publication Date: 01/09/2019
    ISBN13: 9781912520268, 978-1912520268
    ISBN10: 1912520265

    Number of Pages: 336

    Non Fiction , Art & Photography

    Description

    Over five decades, the painter Humphrey Ocean RA's work has filtered into our national culture. This includes his series of portraits entitled A handbook of modern life displayed at the National Portrait Gallery in 2013; his portrait of Christopher Le Brun, President of the Royal Academy of Arts; and the cover of Sir Paul McCartney's 2007 album Memory Almost Full, which featured one of the Chair series. Ocean's practice encompasses painting, printmaking, sculpture, book-making and drawing. Of the last, he has said: 'Paper is lovely, immediate and personal. I draw as an end in itself.' In 2019 his exhibition 'Birds, Cars and Chairs' is on display at the Royal Academy of Arts. Of these subjects, he says: 'Birds, cars and chairs are, in that order, ancient, modern and intimate. Without them life would be a lot less bearable.' These works are reproduced alongside others in the book to provide a fascinating overview of Ocean's career, with an essay by Ben Thomas, which sets out to discover exactly what it is that makes Ocean's art so appealing and universal.

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