Description

You're the clump of blackened spruce
that lights my gasoline-soaked heart

It's just impossible you won't be back
to quench yourself in my creme-soda
ancestral spirit

Irreverent and transcendent, lyrical and slang, Heating the Outdoors is an endlessly surprising new work from award-winning poet Marie-Andrée Gill.

In these micropoems, writing and love are acts of decolonial resilience. Rooted in Nitassinan, the territory and ancestral home of the Ilnu Nation, they echo the Ilnu oral tradition in her interrogation and reclamation of the language, land, and interpersonal intimacies distorted by imperialism. They navigate Gill's interior landscape—of heartbreak, humor, and, ultimately, unrelenting light—amidst the boreal geography.

Heating the Outdoors describes the yearnings for love, the domestic monotony of post-breakup malaise, and the awkward meeting of exes. As the lines between interior and exterior begin to blur, Gill's poems, here translated by Kristen Renee Miller, become a record of the daily rituals and ancient landscapes that inform her identity not only as a lover, then ex, but also as an Ilnu and Quebecoise woman.

Heating the Outdoors

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£15.41

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Paperback / softback by Marie-Andrée Gill , Kristen Renee Miller

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Short Description:

You're the clump of blackened sprucethat lights my gasoline-soaked heartIt's just impossible you won't be backto quench yourself in my... Read more

    Publisher: Book*hug
    Publication Date: 07/03/2023
    ISBN13: 9781771668149, 978-1771668149
    ISBN10: 1771668148

    Number of Pages: 98

    Fiction , Poetry

    Description

    You're the clump of blackened spruce
    that lights my gasoline-soaked heart

    It's just impossible you won't be back
    to quench yourself in my creme-soda
    ancestral spirit

    Irreverent and transcendent, lyrical and slang, Heating the Outdoors is an endlessly surprising new work from award-winning poet Marie-Andrée Gill.

    In these micropoems, writing and love are acts of decolonial resilience. Rooted in Nitassinan, the territory and ancestral home of the Ilnu Nation, they echo the Ilnu oral tradition in her interrogation and reclamation of the language, land, and interpersonal intimacies distorted by imperialism. They navigate Gill's interior landscape—of heartbreak, humor, and, ultimately, unrelenting light—amidst the boreal geography.

    Heating the Outdoors describes the yearnings for love, the domestic monotony of post-breakup malaise, and the awkward meeting of exes. As the lines between interior and exterior begin to blur, Gill's poems, here translated by Kristen Renee Miller, become a record of the daily rituals and ancient landscapes that inform her identity not only as a lover, then ex, but also as an Ilnu and Quebecoise woman.

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