Description

Originally constructed in the late 16th century for the notorious Bess of Hardwick, Countess of Shrewsbury, Hardwick Hall is now among the National Trust’s greatest architectural landmarks, with much of its original interior and ornamentation still intact. This splendid publication is the definitive source of scholarship on the remarkably well-preserved exemplar of late-Elizabethan style. Composed of extensive research and newly commissioned photography, this beautifully illustrated book traces the history of the house and its inhabitants through the centuries, showcasing a remarkable collection of portraiture, tapestries, furniture, and gardens, and providing readers with a genuine sense of the house’s environment.

Published in association with the Paul Mellon Centre for Studies in British Art

Hardwick Hall: A Great Old Castle of Romance

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£75.00

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Hardback by David Adshead , David Taylor

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Short Description:

Originally constructed in the late 16th century for the notorious Bess of Hardwick, Countess of Shrewsbury, Hardwick Hall is now... Read more

    Publisher: Yale University Press
    Publication Date: 15/11/2016
    ISBN13: 9780300218909, 978-0300218909
    ISBN10: 0300218907

    Number of Pages: 402

    Non Fiction , Art & Photography

    Description

    Originally constructed in the late 16th century for the notorious Bess of Hardwick, Countess of Shrewsbury, Hardwick Hall is now among the National Trust’s greatest architectural landmarks, with much of its original interior and ornamentation still intact. This splendid publication is the definitive source of scholarship on the remarkably well-preserved exemplar of late-Elizabethan style. Composed of extensive research and newly commissioned photography, this beautifully illustrated book traces the history of the house and its inhabitants through the centuries, showcasing a remarkable collection of portraiture, tapestries, furniture, and gardens, and providing readers with a genuine sense of the house’s environment.

    Published in association with the Paul Mellon Centre for Studies in British Art

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