Description

Exam board: AQA, Edexcel, OCR
Level & Subject: GCSE English Literature
First teaching: September 2015
Next exam: June 2024

This edition of Great Expectations is perfect for GCSE-level students: it comes complete with the novel, plus an introduction providing context, and a glossary explaining key terms.

‘Hold your noise!’ cried a terrible voice, as a man started up from among the graves at the side of the church porch. ‘Keep still, you little devil, or I’ll cut your throat!’

So begins Charles Dickens’s 1861 bildungsroman, the story of the orphan Pip who is catapulted from the desolate Kent marshes of his childhood to become a young gentleman in London.

Who is Pip’s mysterious benefactor? And what role will the troubling figures of escaped convict Magwitch, decaying bride Miss Havisham and the beautiful but aloof Estella play in his prospects?

Told through the first-person voice of the older Pip, this story of great expectations suggests gains always come at a price. Dickens depicts both the horrors of the early nineteenth-century penal system and the rapid rise and fall of fortunes that Victorian society permitted.

Great Expectations: GCSE 9-1 set text student edition (Collins Classroom Classics)

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Paperback / softback by Charles Dickens , Collins GCSE

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Short Description:

Exam board: AQA, Edexcel, OCRLevel & Subject: GCSE English LiteratureFirst teaching: September 2015Next exam: June 2024 This edition of Great... Read more

    Publisher: HarperCollins Publishers
    Publication Date: 14/01/2019
    ISBN13: 9780008325909, 978-0008325909
    ISBN10: 0008325901

    Number of Pages: 640

    Children & Teen , Children's Non-Fiction

    Description

    Exam board: AQA, Edexcel, OCR
    Level & Subject: GCSE English Literature
    First teaching: September 2015
    Next exam: June 2024

    This edition of Great Expectations is perfect for GCSE-level students: it comes complete with the novel, plus an introduction providing context, and a glossary explaining key terms.

    ‘Hold your noise!’ cried a terrible voice, as a man started up from among the graves at the side of the church porch. ‘Keep still, you little devil, or I’ll cut your throat!’

    So begins Charles Dickens’s 1861 bildungsroman, the story of the orphan Pip who is catapulted from the desolate Kent marshes of his childhood to become a young gentleman in London.

    Who is Pip’s mysterious benefactor? And what role will the troubling figures of escaped convict Magwitch, decaying bride Miss Havisham and the beautiful but aloof Estella play in his prospects?

    Told through the first-person voice of the older Pip, this story of great expectations suggests gains always come at a price. Dickens depicts both the horrors of the early nineteenth-century penal system and the rapid rise and fall of fortunes that Victorian society permitted.

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