Description

The Gothic Chapbook, Bluebook, and Shilling Shocker, 1797-1835 breaks new ground surveying the origins of the gothic chapbook, its publishers and authors, in order to conclusively establish the impact these pamphlets had on the development of the gothic genre. Considered the illegitimate offspring of the gothic novel, the lowly chapbook flooded the marketplace in the late eighteenth century, creating a separate and distinct secondary market for tales of terror. The trade was driven by a handful of individuals who were booksellers and dealers, circulating library proprietors, stationers, and small publishers who produced well over four hundred chapbooks, bluebooks and shilling shockers containing gothic tales from magazines, redactions of popular novels, extractions of entire inset tales, and original tales of terror. This study responds to the urgent and pressing need to contextualise the gothic chapbook in ascertaining a more concise and comprehensive view of the entire gothic genre.

Gothic Chapbooks, Bluebooks and Shilling Shockers, 1797-1830

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Hardback by Franz J. Potter

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The Gothic Chapbook, Bluebook, and Shilling Shocker, 1797-1835 breaks new ground surveying the origins of the gothic chapbook, its publishers... Read more

    Publisher: University of Wales Press
    Publication Date: 15/01/2021
    ISBN13: 9781786836700, 978-1786836700
    ISBN10: 178683670X

    Number of Pages: 240

    Non Fiction , ELT & Literary Studies , Education

    Description

    The Gothic Chapbook, Bluebook, and Shilling Shocker, 1797-1835 breaks new ground surveying the origins of the gothic chapbook, its publishers and authors, in order to conclusively establish the impact these pamphlets had on the development of the gothic genre. Considered the illegitimate offspring of the gothic novel, the lowly chapbook flooded the marketplace in the late eighteenth century, creating a separate and distinct secondary market for tales of terror. The trade was driven by a handful of individuals who were booksellers and dealers, circulating library proprietors, stationers, and small publishers who produced well over four hundred chapbooks, bluebooks and shilling shockers containing gothic tales from magazines, redactions of popular novels, extractions of entire inset tales, and original tales of terror. This study responds to the urgent and pressing need to contextualise the gothic chapbook in ascertaining a more concise and comprehensive view of the entire gothic genre.

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