Description

This is the first major study of the subject in over seventy years. In a triumph of scholarship, Stefano Carboni has drawn on a huge range of sources to produce a beautiful and comprehensive history.

The book is based on the superb al-Sabah Collection in Kuwait and includes detailed descriptions of some 500 objects, accompanied by hundreds of newly taken photographs and specially commissioned drawings. Beginning with the legacy of Roman and Sasanian traditions in the early years of Islam, the coverage extends well over a thousand years to the last phase of glass production in Mughal India and Safavid and Qajar Iran in the 18th and 19th centuries.

Dr Carboni’s authoritative text, the beauty of the objects themselves and the fine quality of the reproductions combine to reveal to scholar and layman alike an aspect of Islamic art that has for too long been neglected.

Glass from Islamic Lands: The al-Sabah Collection at the Kuwait National Museum

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Paperback / softback by Stefano Carboni

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This is the first major study of the subject in over seventy years. In a triumph of scholarship, Stefano Carboni... Read more

    Publisher: Thames & Hudson Ltd
    Publication Date: 04/03/2002
    ISBN13: 9780500976074, 978-0500976074
    ISBN10: 0500976074

    Number of Pages: 416

    Non Fiction , Art & Photography

    Description

    This is the first major study of the subject in over seventy years. In a triumph of scholarship, Stefano Carboni has drawn on a huge range of sources to produce a beautiful and comprehensive history.

    The book is based on the superb al-Sabah Collection in Kuwait and includes detailed descriptions of some 500 objects, accompanied by hundreds of newly taken photographs and specially commissioned drawings. Beginning with the legacy of Roman and Sasanian traditions in the early years of Islam, the coverage extends well over a thousand years to the last phase of glass production in Mughal India and Safavid and Qajar Iran in the 18th and 19th centuries.

    Dr Carboni’s authoritative text, the beauty of the objects themselves and the fine quality of the reproductions combine to reveal to scholar and layman alike an aspect of Islamic art that has for too long been neglected.

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