Description

Philanthropy is commonly depicted as a universal practice and is either valued for supporting community transformation or critiqued for limiting social justice. However, dominant definitions and even popular connotations tend to privilege wealthy Western approaches. Using the Caribbean as a rich site of observance and concentrating on the island nation-state of The Bahamas,Get Involved!uncovers the hidden and under-documented activities of philanthropy from below, revealing a broader conception of philanthropy and civil society, especially within Black and other historically marginalized populations. Kim Williams-Pulferdraws on narrative analysis from enslavement to the current post-post-colonial moment, depicting the repertoires and practices of primarily Afro-Bahamians through the stories emerging from history (including the transnational observations of Zora Neale Hurston, social movements, and political and social institution building), the arts (from Junkanoo, literatu

Get Involved

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Paperback by Kim Williams-Pulfer

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Philanthropy is commonly depicted as a universal practice and is either valued for supporting community transformation or critiqued for limiting... Read more

    Publisher: Rutgers University Press
    Publication Date: 6/14/2024
    ISBN13: 9781978834446, 978-1978834446
    ISBN10: 1978834446

    Non Fiction , History , Non Fiction

    Description

    Philanthropy is commonly depicted as a universal practice and is either valued for supporting community transformation or critiqued for limiting social justice. However, dominant definitions and even popular connotations tend to privilege wealthy Western approaches. Using the Caribbean as a rich site of observance and concentrating on the island nation-state of The Bahamas,Get Involved!uncovers the hidden and under-documented activities of philanthropy from below, revealing a broader conception of philanthropy and civil society, especially within Black and other historically marginalized populations. Kim Williams-Pulferdraws on narrative analysis from enslavement to the current post-post-colonial moment, depicting the repertoires and practices of primarily Afro-Bahamians through the stories emerging from history (including the transnational observations of Zora Neale Hurston, social movements, and political and social institution building), the arts (from Junkanoo, literatu

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