Description

Leokadiya Kashperova (18721940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920.Songs of Love was first published in 1904. No evidence survives of any public performance in Kashperova's lifetime although it is very likely that they were performed at her regular musical evenings at home on Tuesdays' mentioned in her Memoirs. The transparency of the piano writing strongly suggests that she would accompany herself singing. Kashperova, by all accounts, possessed a fine voice, and in the summer of 1906 she decided to learn from the artistry', as she put it, of the tenor Raimond von Zur-Mühlen who was widely celebrated f

Gesange der Liebe Songs of Love

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Leokadiya Kashperova (18721940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double... Read more

    Publisher: Boosey & Hawkes, London
    Publication Date: 1/13/2023
    ISBN13: 9781784546298, 978-1784546298
    ISBN10: 1784546291

    Description

    Leokadiya Kashperova (18721940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920.Songs of Love was first published in 1904. No evidence survives of any public performance in Kashperova's lifetime although it is very likely that they were performed at her regular musical evenings at home on Tuesdays' mentioned in her Memoirs. The transparency of the piano writing strongly suggests that she would accompany herself singing. Kashperova, by all accounts, possessed a fine voice, and in the summer of 1906 she decided to learn from the artistry', as she put it, of the tenor Raimond von Zur-Mühlen who was widely celebrated f

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