Description

First published in 1996, this Pimpernel Classic edition has been redesigned and includes new photography.

Gertrude Jekyll (1843-1932) was probably the most influential garden designer of the early twentieth century. In this classic work Judith Tankard and Martin Wood explore her life and work at Munstead Wood, the Arts and Crafts style house in Surrey, designed for her by Edwin Lutyens, where she lived and gardened from 1897 until her death. Here she exercised her knowledge of architecture and local building skills, and her passion for form, grouping and colour was given full scope in the garden which she designed and worked from scratch.

Taking as a basis Gertrude Jekyll’s own photographs, scrapbooks and notebooks, and the recollections of contemporaries from Edith Wharton and Vita Sackville-West to William Robinson and Henry Francis Du Pont, the authors describe not only the building and development of the house and garden but also Jekyll’s skills both in the arts and as a businesswoman, and her collaborations with architects including Lutyens, Oliver Hill and M.H. Baillie Scott, among many others.

Gertrude Jekyll at Munstead Wood

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Hardback by Martin Wood , Judith B. Tankard

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Description:

First published in 1996, this Pimpernel Classic edition has been redesigned and includes new photography. Gertrude Jekyll (1843-1932) was probably... Read more

    Publisher: Pimpernel Press Ltd
    Publication Date: 21/05/2015
    ISBN13: 9781910258057, 978-1910258057
    ISBN10: 1910258059

    Number of Pages: 208

    Non Fiction , Home & Garden

    Description

    First published in 1996, this Pimpernel Classic edition has been redesigned and includes new photography.

    Gertrude Jekyll (1843-1932) was probably the most influential garden designer of the early twentieth century. In this classic work Judith Tankard and Martin Wood explore her life and work at Munstead Wood, the Arts and Crafts style house in Surrey, designed for her by Edwin Lutyens, where she lived and gardened from 1897 until her death. Here she exercised her knowledge of architecture and local building skills, and her passion for form, grouping and colour was given full scope in the garden which she designed and worked from scratch.

    Taking as a basis Gertrude Jekyll’s own photographs, scrapbooks and notebooks, and the recollections of contemporaries from Edith Wharton and Vita Sackville-West to William Robinson and Henry Francis Du Pont, the authors describe not only the building and development of the house and garden but also Jekyll’s skills both in the arts and as a businesswoman, and her collaborations with architects including Lutyens, Oliver Hill and M.H. Baillie Scott, among many others.

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