Description
Book SynopsisA Publishers Weekly and New York Times Book of the Year. Shortlisted for the National Book Award for Poetry 2023. Monica Youn's first UK collection is her fourth and most ambitious book. It ends with prose, or at least with paragraphs, the long lyrical essay 'In the Passive Voice', and the intense 'Detail of the Rice Chest', explorations of race, identity and belonging seldom so directly broached in poetry, though they are the unspoken theme of much of our silenced discourse. Monica Youn is an undefended poet, which is not the same thing as defenceless. On the contrary, the undefended poet speaks truths without defensive irony. When there is humour it disarms the reader, until we too are undefended and can confront some of the themes we are reluctant to speak of. The poems recast classical myth in the light of coloniality, otherness and desire, juxtaposing figures which elicit one another's deeper natures. There are metamorphoses, fables. In place of Wallace Stevens's blackbird, Youn proposes 'Thirteen Ways of Looking at a Magpie', the two-hued bird with a bad reputation.
Trade Review'From From is equal parts comic and tragic, clinical and wrenching. Monica Youn's parables and studies are devastating meditations on the sadism of whiteness and the abjection of racial containment. From the personal, to Du Soon Ja, to beloved icons like Dr Seuss, Youn examines how complicity gestates and develops, how unexamined desire and fear lead to the hatred of the other and oneself while yanking up the roots of words to unearth the hidden biases built into the way we speak. [...] From From is unforgiving and horrifying, singular and absolutely extraordinary.' - Cathy Park Hong; 'In reflecting and refracting the fantasies and absurdities, dark secrets and blatant cruelties by which American racism invents and maintains itself, Youn counters our brutal imagination with flammable, superior dreams.' - New York Times
