Description

Book Synopsis
Decadence is seldom looked at in the context of colonialism, and yet its heyday in the 1880s and 1890s is directly contemporary with the expansion of France’s modern colonial empire. Ever a slippery signifier, Decadence figures alternately as pro-colonial, anticolonial and apolitical. This edited volume gives a sense of the sheer range and diversity of intersections between colonialism and Decadence, from anticolonial anarchist writers to colonial discourse, from nineteenth-century women writers to our contemporary, Michel Houellebecq. Different chapters explore these intersections in the cultural imagination of dance, the novel, travel writing, historiographical theory, and literary networks. Decadence is often seen as an essentially metropolitan, urban movement, but this study identifies key spaces elsewhere, from fin-de-siècle Saigon to India in the heyday of French colonialism, from Byzantium to ancient Persia. Although the colonies were held up by some as an antidote to the threat of French decline, other writings reveal anxiety that the antidote might itself be a form of poison. Colonial contact might exacerbate degeneration, whether through cultural mixing or through the violence of colonial aggression itself. A profound anxiety about French identity and France’s so-called mission civilisatrice is played out through the imagery, the style and the pose of Decadence.

Table of Contents
Acknowledgements

Introduction: French Decadence in a Global Context: Colonialism and Exoticism
Jennifer Yee

Chapter 1
Bibelotic Buddhas: Decadence and its Critics
Sam Bootle

Chapter 2
Sous-mission and the mission civilisatrice: Houellebecq’s Parody of Empire and Decadence
Jenai Engelhard Humphreys

Chapter 3
Gender, Decadence, and Orientalism in Jane Dieulafoy’s Journal de fouilles and Parysatis
Julia Hartley

Chapter 4
Anti-colonial exoticism in Mirbeau’s Jardin des supplices
Richard Hibbit

Chapter 5
Decadent and Anti-Decadent Networks of the Belle époque: littérature coloniale as a Rhetorical Alliance
Vladimir Kapor

Chapter 6
The Anarchist Denunciation of Decadent Colonialism: Georges Darien, Octave Mirbeau, and Jules Vallès
Aurélien Lorig

Chapter 7
Judith Gautier, La Conquête du Paradis or L’Inde éblouie: when French colonization becomes an Indian epic
Valérie Magdelaine-Andrianjafitrimo

Chapter 8
Exoticism and the Threat of Contagion: Danger or Therapy for Decadent Dance
Hélène Marquié

Chapter 9
Decadent Colonial Saigon in Fin-de-siècle French Literature
Wanrug Suwanwattana

General Bibliography
Notes on Contributors
Index

French Decadence in a Global Context: Colonialism

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    A Hardback by Julia Hartley, Wanrug Suwanwattana, Jennifer Yee

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      View other formats and editions of French Decadence in a Global Context: Colonialism by Julia Hartley

      Publisher: Liverpool University Press
      Publication Date: 01/08/2022
      ISBN13: 9781802070569, 978-1802070569
      ISBN10: 1802070567

      Description

      Book Synopsis
      Decadence is seldom looked at in the context of colonialism, and yet its heyday in the 1880s and 1890s is directly contemporary with the expansion of France’s modern colonial empire. Ever a slippery signifier, Decadence figures alternately as pro-colonial, anticolonial and apolitical. This edited volume gives a sense of the sheer range and diversity of intersections between colonialism and Decadence, from anticolonial anarchist writers to colonial discourse, from nineteenth-century women writers to our contemporary, Michel Houellebecq. Different chapters explore these intersections in the cultural imagination of dance, the novel, travel writing, historiographical theory, and literary networks. Decadence is often seen as an essentially metropolitan, urban movement, but this study identifies key spaces elsewhere, from fin-de-siècle Saigon to India in the heyday of French colonialism, from Byzantium to ancient Persia. Although the colonies were held up by some as an antidote to the threat of French decline, other writings reveal anxiety that the antidote might itself be a form of poison. Colonial contact might exacerbate degeneration, whether through cultural mixing or through the violence of colonial aggression itself. A profound anxiety about French identity and France’s so-called mission civilisatrice is played out through the imagery, the style and the pose of Decadence.

      Table of Contents
      Acknowledgements

      Introduction: French Decadence in a Global Context: Colonialism and Exoticism
      Jennifer Yee

      Chapter 1
      Bibelotic Buddhas: Decadence and its Critics
      Sam Bootle

      Chapter 2
      Sous-mission and the mission civilisatrice: Houellebecq’s Parody of Empire and Decadence
      Jenai Engelhard Humphreys

      Chapter 3
      Gender, Decadence, and Orientalism in Jane Dieulafoy’s Journal de fouilles and Parysatis
      Julia Hartley

      Chapter 4
      Anti-colonial exoticism in Mirbeau’s Jardin des supplices
      Richard Hibbit

      Chapter 5
      Decadent and Anti-Decadent Networks of the Belle époque: littérature coloniale as a Rhetorical Alliance
      Vladimir Kapor

      Chapter 6
      The Anarchist Denunciation of Decadent Colonialism: Georges Darien, Octave Mirbeau, and Jules Vallès
      Aurélien Lorig

      Chapter 7
      Judith Gautier, La Conquête du Paradis or L’Inde éblouie: when French colonization becomes an Indian epic
      Valérie Magdelaine-Andrianjafitrimo

      Chapter 8
      Exoticism and the Threat of Contagion: Danger or Therapy for Decadent Dance
      Hélène Marquié

      Chapter 9
      Decadent Colonial Saigon in Fin-de-siècle French Literature
      Wanrug Suwanwattana

      General Bibliography
      Notes on Contributors
      Index

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