Description
Book SynopsisIn this deeply original consideration of Foucault’s erotic ethics, Lynne Huffer provocatively rewrites Foucault as a Sapphic poet. She uncovers eros as a mode of thought that erodes the interiority of the thinking subject.
Trade ReviewIn a provocative take on
eros as a verb—as erosion of the thinking subject bound by grids of intelligibility that define her identity—Huffer offers the splendid final installment of her Foucault trilogy. Forcefully written with a capacious imagination, this book exemplifies the enviable rewards of a sustained in-depth engagement with Foucault as an ethopoietic thinker. -- Rey Chow, author of
Not Like a Native Speaker: On Languaging as a Postcolonial ExperienceIn this innovative and intimate work, Huffer recuperates from the work of Michel Foucault a philosophy of
eros with the potential to replace the unduly dominant orders of sexuality.
Eros would always be murmuring and calling for various forms of release, including the release of 'self from self.' The consequences of
eros' broad scope and elusiveness, are shown to encompasses the full range of Foucault’s work, and to challenging our understanding of freedom, intimacy, passion, ethics, and selfhood. -- Penelope Deutscher, author of
Foucault's Futures: A Critique of Reproductive ReasonFoucault's Strange Eros challenges its readers to describe aptly, to touch delicately their seeking, mortal, embodied selves. The book elicits and sustains their interest. It rejoices on some pages to weep on others, but it is animated throughout by generous reading and creative responding. -- Mark Jordan, author of
Convulsing Bodies: Religion and Resistance in FoucaultBowing, bending down, and keeping watch over Foucault's work, Lynne Huffer listens for
Foucault's Strange Eros and its ethical call. Huffer reads Foucault as a poet, allowing us to hear the discontinuous Sapphic murmur beneath philosophy's Platonic ground. This is an inspired work of love and a tour de force. -- Sverre Raffnsøe, editor in chief of
Foucault Studies and author of
Michel Foucault: A Research CompanionFoucault's Strange Eros is a haunting and beautiful book. In this final book in her Foucault trilogy, Lynne Huffer once again returns to the theme of Foucault’s erotic ethics. Drawing on Anne Carson's new translations and writings on Sappho, she identifies a queer feminist erotic, a non-phallic creative capacity for new relational forms. In this light, Foucault's genealogies are revealed as rooted in a poignant ethical sensibility—that of a loving and vigilant guardian of the lost 'little ones' in the archives, one who uncovers traces of unnecessary and intolerable suffering, and events that did not take place. This is what is meant by thought of the outside—impossible thought, or thoughts and experiences erased and rendered impossible within present conditions of possibility. Thus, Huffer deepens our appreciation of genealogy as an ethical practice of freedom, of
eros—a practice that might loosen our attachments to present understandings of self and world—to ways of living that create unnecessary suffering and violence. -- Jana Sawicki, Williams College
Table of ContentsPreface: Prowling
Introduction: Foucault’s Strange Eros
1. Eros Is Strange: Foucault, the Outside, and the Historical A Priori (Fragments)
2.
Ars Erotica: Poetic Cuts in the Archives of Infamy
3. Erotic Time: Unreason, Eros, and Foucault’s Evil Genius
4. Prowling Eros: Carriers of Light in the Panopticon
5. Now Again (δεῦτε): Foucault, Wittig, Sappho
Coda: Sapphic
Acknowledgments
Notes
References
Index
