Description

Born on the Idaho frontier, Florence James was a New York City suffragette. The first to put Jimmy Cagney on stage, she founded both the Negro Repertory Theatre and the Seattle Repertory Playhouse. She worked with Francis Farmer, Paul Robson, and Helen Hayes, but her views on art and politics and her choice of plays led to a clash with the Un-American Activities Committee. In the wake of two Kafkaesque trials, where she condemned her persecutors as liars, she fled to Canada and kick-started professional theatre in Saskatchewan, the home to North America's first socialist government. Vital and inspiring, Florence of America is a story of one woman speaking truth to power. 'An amazing story of achievement, heartbreak, and endurance...But above all, it is a moving and powerful cautionary tale of what can happen, at any time of any age, when, in [Arthur] Miller's words, a whole world begins to cry 'spirits.'' —Moira Day, Department Head of Drama, University of Saskatchewan

Florence of America

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Short Description:

Born on the Idaho frontier, Florence James was a New York City suffragette. The first to put Jimmy Cagney on... Read more

    Publisher: University of Regina Press
    Publication Date: 8/31/2019
    ISBN13: 9780889776470, 978-0889776470
    ISBN10: 889776474

    Non Fiction , Biography

    Description

    Born on the Idaho frontier, Florence James was a New York City suffragette. The first to put Jimmy Cagney on stage, she founded both the Negro Repertory Theatre and the Seattle Repertory Playhouse. She worked with Francis Farmer, Paul Robson, and Helen Hayes, but her views on art and politics and her choice of plays led to a clash with the Un-American Activities Committee. In the wake of two Kafkaesque trials, where she condemned her persecutors as liars, she fled to Canada and kick-started professional theatre in Saskatchewan, the home to North America's first socialist government. Vital and inspiring, Florence of America is a story of one woman speaking truth to power. 'An amazing story of achievement, heartbreak, and endurance...But above all, it is a moving and powerful cautionary tale of what can happen, at any time of any age, when, in [Arthur] Miller's words, a whole world begins to cry 'spirits.'' —Moira Day, Department Head of Drama, University of Saskatchewan

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