Description
An examination of sculpture and authorship in eighteenth-century Quito that documents Caspicara as a participant in the innovative artistic production of the city’s workshops and its widespread commerce of polychrome sculptures.
Who is Caspicara? Nothing is known of Caspicara’s life, and not a single sculpture has been documented as his work. Yet traditional histories laud him as a prolific Indigenous sculptor in eighteenth-century Quito who created exquisite polychrome figures and became a national artistic icon. Drawing on extensive archival, historical, and object research, Susan Verdi Webster peels away layers of historiographical fabrication to reveal what we do and do not know about Caspicara and his work.
Rather than being a solitary master, Caspicara collaborated with other, largely Indigenous artists in Quito’s protoindustrial workshops, manufacturing sculptures now credited to him alone. The high quality of Quito sculptures produced
