Description

Book Synopsis

The current political climate of confrontation between Islamistregimes and Western governments has resulted in the proliferation ofessentialist perceptions of Iran and Iranians in the West. Suchperceptions do not reflect the complex evolution of Iranian identitythat occurred in the years following the Constitutional Revolution(1906–11) and the anti-imperialist Islamic Revolution of 1979.Despite the Iranian government’s determined pursuance ofanti-Western policies and strict conformity to religious principles,the film and literature of Iran reflect the clash between a nostalgicpride in Persian tradition and an apparent infatuation with a moreEurocentric modernity. In Familiar and Foreign, Mannani andThompson set out to explore the tensions surrounding the ongoingformulation of Iranian identity by bringing together essays on poetry,novels, memoir, and films. These include both canonical and less widelytheorized texts, as well as works of literature written in English byauthors living in diaspora.

Challenging neocolonialist stereotypes, these critical excursionsinto Iranian literature and film reveal the limitations of collectiveidentity as it has been configured within and outside of Iran. Throughthe examination of works by, among others, the iconic female poetForugh Farrokhzad, the expatriate author Goli Taraqqi, thecontroversial memoirist Azar Nafisi, and the graphic novelist MarjaneSatrapi, author of Persepolis, this volume engages with thecomplex and contested discourses of religion, patriarchy, and politicsthat are the contemporary product of Iran’s long andrevolutionary history.



Table of Contents

Familiar and Foreign: An Introduction • Manijeh Mannani andVeronica Thompson 3

1 The Development of the Artistic Female Self in the Poetry ofForugh Farrokhzad • Safaneh Mohaghegh Neyshabouri 17

2 Overcoming Gender: The Impact of the Persian Language on IranianWomen’s Confessional Literature • Farideh Dayanim Goldin 31

3 Autobiomythography and Self-Aggrandizement in Iranian DiasporicLife-Writing: Fatemeh Keshavarz and Azar Nafisi • Manijeh Mannani 61

4 Graphic Memories: Dialogues with Self and Other in MarjaneSatrapi’s Persepolis and Persepolis 2 • Mostafa Abedinifard83

5 Mr. and Mrs. F and the Woman: Personal Identities in ZoyaPirzad’s Like All the Afternoons • Madeleine Voegeli 111

6 Anxious Men: Sexuality and Systems of Disavowal in ContemporaryIranian Literature • Blake Atwood 129

7 Reading the Exile’s Body: Deafness and Diaspora in KaderAbdolah’s My Father’s Notebook • Babak Elahi 149

8 Persian Literature of Exile in France: Goli Taraqqi’s ShortStories • Laetitia Nanquette 173

9 Farang Represented: The Construction of Self-Space in GoliTaraqqi’s Fiction • Goulia Ghardashkhani 189

10 Film as Alternative History: The Aesthetics of Bahram Beizai• Khatereh Sheibani 211

11 Technologies of Memory, Identity, and Oblivion in Persepolis(2007) and Waltz with Bashir (2008) • William Anselmi and SheenaWilson 233

Contributors 261

Familiar and Foreign: Identity in Iranian Film

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    A Paperback / softback by Veronica Thompson, Manijeh Mannani

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      View other formats and editions of Familiar and Foreign: Identity in Iranian Film by Veronica Thompson

      Publisher: AU Press
      Publication Date: 01/10/2015
      ISBN13: 9781927356869, 978-1927356869
      ISBN10: 1927356865

      Description

      Book Synopsis

      The current political climate of confrontation between Islamistregimes and Western governments has resulted in the proliferation ofessentialist perceptions of Iran and Iranians in the West. Suchperceptions do not reflect the complex evolution of Iranian identitythat occurred in the years following the Constitutional Revolution(1906–11) and the anti-imperialist Islamic Revolution of 1979.Despite the Iranian government’s determined pursuance ofanti-Western policies and strict conformity to religious principles,the film and literature of Iran reflect the clash between a nostalgicpride in Persian tradition and an apparent infatuation with a moreEurocentric modernity. In Familiar and Foreign, Mannani andThompson set out to explore the tensions surrounding the ongoingformulation of Iranian identity by bringing together essays on poetry,novels, memoir, and films. These include both canonical and less widelytheorized texts, as well as works of literature written in English byauthors living in diaspora.

      Challenging neocolonialist stereotypes, these critical excursionsinto Iranian literature and film reveal the limitations of collectiveidentity as it has been configured within and outside of Iran. Throughthe examination of works by, among others, the iconic female poetForugh Farrokhzad, the expatriate author Goli Taraqqi, thecontroversial memoirist Azar Nafisi, and the graphic novelist MarjaneSatrapi, author of Persepolis, this volume engages with thecomplex and contested discourses of religion, patriarchy, and politicsthat are the contemporary product of Iran’s long andrevolutionary history.



      Table of Contents

      Familiar and Foreign: An Introduction • Manijeh Mannani andVeronica Thompson 3

      1 The Development of the Artistic Female Self in the Poetry ofForugh Farrokhzad • Safaneh Mohaghegh Neyshabouri 17

      2 Overcoming Gender: The Impact of the Persian Language on IranianWomen’s Confessional Literature • Farideh Dayanim Goldin 31

      3 Autobiomythography and Self-Aggrandizement in Iranian DiasporicLife-Writing: Fatemeh Keshavarz and Azar Nafisi • Manijeh Mannani 61

      4 Graphic Memories: Dialogues with Self and Other in MarjaneSatrapi’s Persepolis and Persepolis 2 • Mostafa Abedinifard83

      5 Mr. and Mrs. F and the Woman: Personal Identities in ZoyaPirzad’s Like All the Afternoons • Madeleine Voegeli 111

      6 Anxious Men: Sexuality and Systems of Disavowal in ContemporaryIranian Literature • Blake Atwood 129

      7 Reading the Exile’s Body: Deafness and Diaspora in KaderAbdolah’s My Father’s Notebook • Babak Elahi 149

      8 Persian Literature of Exile in France: Goli Taraqqi’s ShortStories • Laetitia Nanquette 173

      9 Farang Represented: The Construction of Self-Space in GoliTaraqqi’s Fiction • Goulia Ghardashkhani 189

      10 Film as Alternative History: The Aesthetics of Bahram Beizai• Khatereh Sheibani 211

      11 Technologies of Memory, Identity, and Oblivion in Persepolis(2007) and Waltz with Bashir (2008) • William Anselmi and SheenaWilson 233

      Contributors 261

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