Description

Discursive practices during war polarize and politicize gender: they normally require men to fulfill a single, overriding task - destroy the enemy - but impose a series of often contradictory expectations on women. The essays in the book establish links between political ideology, history, psychology, cultural studies, cinema, literature, and gender studies and addresses questions such as - what is the role of women in war or military conflicts beyond the well-studied victimization? Can the often contradictory expectations of women and their traditional roles be (re)thought and (re)constructed? How do cultural representations of women during war times reveal conflicting desires and poke holes in the ideological apparatus of the state and society? Geographically, focuses on the USSR / Russia, Central Europe, and the Balkans; historically, on WWII; the secessionist war(s) in Chechnya (1994 - 96, 1999 - ); and the Bosnia / Croatia / Serbia war (1992 - 95).

Embracing Arms: Cultural Representation of Slavic and Balkan Women in War

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Hardback by Helena Goscilo , Yana Hashamova

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Discursive practices during war polarize and politicize gender: they normally require men to fulfill a single, overriding task - destroy... Read more

    Publisher: Central European University Press
    Publication Date: 30/09/2012
    ISBN13: 9786155225093, 978-6155225093
    ISBN10: 6155225095

    Number of Pages: 362

    Non Fiction

    Description

    Discursive practices during war polarize and politicize gender: they normally require men to fulfill a single, overriding task - destroy the enemy - but impose a series of often contradictory expectations on women. The essays in the book establish links between political ideology, history, psychology, cultural studies, cinema, literature, and gender studies and addresses questions such as - what is the role of women in war or military conflicts beyond the well-studied victimization? Can the often contradictory expectations of women and their traditional roles be (re)thought and (re)constructed? How do cultural representations of women during war times reveal conflicting desires and poke holes in the ideological apparatus of the state and society? Geographically, focuses on the USSR / Russia, Central Europe, and the Balkans; historically, on WWII; the secessionist war(s) in Chechnya (1994 - 96, 1999 - ); and the Bosnia / Croatia / Serbia war (1992 - 95).

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