Description

With a new introduction by JESMYN WARD

'Warm, witty, imaginative . . . A rich and winning book' NEW YORKER

'Devilishly funny and academically solid: delicious mixture' MAYA ANGELOU

'One of the greatest writers of our time' TONI MORRISON

First published in 1942 at the height of her popularity, Dust Tracks on a Road is Zora Neale Hurston's candid, exuberant account of her rise from childhood poverty in the rural South to a prominent place among the leading artists and intellectuals of the Harlem Renaissance.

As compelling as her acclaimed fiction, Hurston's literary self-portrait offers a revealing, often audacious glimpse into the life - public and private - of an extraordinary artist, anthropologist, chronicler and champion of the black experience in America. Full of the wit and wisdom of a proud, spirited woman who started off low and climbed high: 'I have been in Sorrow's kitchen and licked out all the pots. Then I have stood on the peaky mountain wrapped in rainbows with a harp and a sword in my hands'.

Dust Tracks On A Road

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£10.99

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Paperback / softback by Zora Neale Hurston , Jesmyn Ward

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With a new introduction by JESMYN WARD'Warm, witty, imaginative . . . A rich and winning book' NEW YORKER 'Devilishly... Read more

    Publisher: Little, Brown Book Group
    Publication Date: 13/02/2020
    ISBN13: 9780349012216, 978-0349012216
    ISBN10: 0349012210

    Number of Pages: 352

    Non Fiction , Biography

    Description

    With a new introduction by JESMYN WARD

    'Warm, witty, imaginative . . . A rich and winning book' NEW YORKER

    'Devilishly funny and academically solid: delicious mixture' MAYA ANGELOU

    'One of the greatest writers of our time' TONI MORRISON

    First published in 1942 at the height of her popularity, Dust Tracks on a Road is Zora Neale Hurston's candid, exuberant account of her rise from childhood poverty in the rural South to a prominent place among the leading artists and intellectuals of the Harlem Renaissance.

    As compelling as her acclaimed fiction, Hurston's literary self-portrait offers a revealing, often audacious glimpse into the life - public and private - of an extraordinary artist, anthropologist, chronicler and champion of the black experience in America. Full of the wit and wisdom of a proud, spirited woman who started off low and climbed high: 'I have been in Sorrow's kitchen and licked out all the pots. Then I have stood on the peaky mountain wrapped in rainbows with a harp and a sword in my hands'.

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