Description

Book Synopsis
Dorothea Bleek (1873 to 1948) devoted her life to completing the ‘bushman researches’ that her father and aunt had begun in the closing decades of the nineteenth century. this research was partly a labour of familial loyalty to Wilhelm, the acclaimed linguist and language scholar of nineteenthcentury Germany and later of the Cape Colony, and to Lucy Lloyd, a self-taught linguist and scholar of bushman languages and folklore; but it was also an expression of Dorothea’s commitment to a particular kind of scholarship and an intellectual milieu that saw her spending her entire adult life in the study of the people she called ‘bushmen’.

How has history treated Dorothea Bleek? Has she been recognised as a scholar in her own right, or as someone who merely followed in the footsteps of her famous father and aunt? Was she an adventurer, a woman who travelled across southern Africa driven by intellectual curiosity? Or was she conservative, a researcher who belittled the people she studied?

These are some of the questions with which Weintroub starts her thoughtful biography of Dorothea Bleek. The book examines Dorothea’s life story and family legacy, her rock art research and her fi eldwork in southern Africa, and, in light of these, evaluates her scholarship and contribution to the history of ideas in south Africa. The compelling and surprising narrative reveals an intellectual inheritance intertwined with the story of a woman’s life, and argues that Dorothea’s life work – her study of the bushmen – was also a sometimes surprising emotional quest.

Table of Contents
Introduction: Re-visiting the life and scholarship of Dorothea Bleek; Colonial childhood, European learning; Tracing rock art in the field with Helen Tongue, 1905 to 1907; Return to the Kalahari, July to August 1913; Ambiguities of interaction: Sandfontein, Angola and Tanganyika, 1920 to 1930; Testimony of the rocks: A "cave journey", 1928 to 1932; Intimacy and marginality in rock art recording 1932-1940; Making the Bushman dictionary, 1934 to 1956.

Dorothea Bleek: A life of scholarship

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    A Paperback / softback by Jill Weintroub

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      Publisher: Wits University Press
      Publication Date: 01/03/2016
      ISBN13: 9781868148790, 978-1868148790
      ISBN10: 1868148793

      Description

      Book Synopsis
      Dorothea Bleek (1873 to 1948) devoted her life to completing the ‘bushman researches’ that her father and aunt had begun in the closing decades of the nineteenth century. this research was partly a labour of familial loyalty to Wilhelm, the acclaimed linguist and language scholar of nineteenthcentury Germany and later of the Cape Colony, and to Lucy Lloyd, a self-taught linguist and scholar of bushman languages and folklore; but it was also an expression of Dorothea’s commitment to a particular kind of scholarship and an intellectual milieu that saw her spending her entire adult life in the study of the people she called ‘bushmen’.

      How has history treated Dorothea Bleek? Has she been recognised as a scholar in her own right, or as someone who merely followed in the footsteps of her famous father and aunt? Was she an adventurer, a woman who travelled across southern Africa driven by intellectual curiosity? Or was she conservative, a researcher who belittled the people she studied?

      These are some of the questions with which Weintroub starts her thoughtful biography of Dorothea Bleek. The book examines Dorothea’s life story and family legacy, her rock art research and her fi eldwork in southern Africa, and, in light of these, evaluates her scholarship and contribution to the history of ideas in south Africa. The compelling and surprising narrative reveals an intellectual inheritance intertwined with the story of a woman’s life, and argues that Dorothea’s life work – her study of the bushmen – was also a sometimes surprising emotional quest.

      Table of Contents
      Introduction: Re-visiting the life and scholarship of Dorothea Bleek; Colonial childhood, European learning; Tracing rock art in the field with Helen Tongue, 1905 to 1907; Return to the Kalahari, July to August 1913; Ambiguities of interaction: Sandfontein, Angola and Tanganyika, 1920 to 1930; Testimony of the rocks: A "cave journey", 1928 to 1932; Intimacy and marginality in rock art recording 1932-1940; Making the Bushman dictionary, 1934 to 1956.

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