Description

Dominik Graf, an exception in the film/television business, is a man of many parts. This is precisely what makes him so fascinating. He is a genre filmmaker, who guilefully attained freedom from within the rigid confines of television, and wrote (German) TV history with his episodes of Der Fahnder and Tatort. His sole commercial hit in theatres, Die Katze, has developed into a veritable "generational text". He is an auteur filmmaker in the spirit of the nouvelle vague or New Hollywood, who made waves with such masterpieces as Spieler, Der Felsen, Die Freunde der Freunde, or Das Gelübde. He is also a wonderful writer on film – and a polemical commentator of recent German history. However, these parts cannot be separated so clearly, something which this book explains through an essay by Christoph Huber, an richly annotated filmography by Olaf Müller and an in-depth interview with Dominik Graf by both authors.

Dominik Graf

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Paperback / softback by Christoph Huber , Olaf Moller

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Dominik Graf, an exception in the film/television business, is a man of many parts. This is precisely what makes him... Read more

    Publisher: Synema Gesellschaft Fur Film u. Medien
    Publication Date: 30/07/2013
    ISBN13: 9783901644481, 978-3901644481
    ISBN10: 3901644482

    Number of Pages: 208

    Non Fiction , Art & Photography

    Description

    Dominik Graf, an exception in the film/television business, is a man of many parts. This is precisely what makes him so fascinating. He is a genre filmmaker, who guilefully attained freedom from within the rigid confines of television, and wrote (German) TV history with his episodes of Der Fahnder and Tatort. His sole commercial hit in theatres, Die Katze, has developed into a veritable "generational text". He is an auteur filmmaker in the spirit of the nouvelle vague or New Hollywood, who made waves with such masterpieces as Spieler, Der Felsen, Die Freunde der Freunde, or Das Gelübde. He is also a wonderful writer on film – and a polemical commentator of recent German history. However, these parts cannot be separated so clearly, something which this book explains through an essay by Christoph Huber, an richly annotated filmography by Olaf Müller and an in-depth interview with Dominik Graf by both authors.

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