Description

Book Synopsis
Dominik Graf, an exception in the film/television business, is a man of many parts. This is precisely what makes him so fascinating. He is a genre filmmaker, who guilefully attained freedom from within the rigid confines of television, and wrote (German) TV history with his episodes of Der Fahnder and Tatort. His sole commercial hit in theatres, Die Katze, has developed into a veritable "generational text". He is an auteur filmmaker in the spirit of the nouvelle vague or New Hollywood, who made waves with such masterpieces as Spieler, Der Felsen, Die Freunde der Freunde, or Das Gelübde. He is also a wonderful writer on film – and a polemical commentator of recent German history. However, these parts cannot be separated so clearly, something which this book explains through an essay by Christoph Huber, an richly annotated filmography by Olaf Müller and an in-depth interview with Dominik Graf by both authors.

Dominik Graf

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    A Paperback / softback by Christoph Huber, Olaf Moller, Olaf Möller

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      Publisher: Synema Gesellschaft Fur Film u. Medien
      Publication Date: 30/07/2013
      ISBN13: 9783901644481, 978-3901644481
      ISBN10: 3901644482
      Also in:
      Films, cinema

      Description

      Book Synopsis
      Dominik Graf, an exception in the film/television business, is a man of many parts. This is precisely what makes him so fascinating. He is a genre filmmaker, who guilefully attained freedom from within the rigid confines of television, and wrote (German) TV history with his episodes of Der Fahnder and Tatort. His sole commercial hit in theatres, Die Katze, has developed into a veritable "generational text". He is an auteur filmmaker in the spirit of the nouvelle vague or New Hollywood, who made waves with such masterpieces as Spieler, Der Felsen, Die Freunde der Freunde, or Das Gelübde. He is also a wonderful writer on film – and a polemical commentator of recent German history. However, these parts cannot be separated so clearly, something which this book explains through an essay by Christoph Huber, an richly annotated filmography by Olaf Müller and an in-depth interview with Dominik Graf by both authors.

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