Description
Book SynopsisGarry Fabian Miller’s Dark Room is a photography book unlike any other. At its heart is the artist’s description of a life lived making pictures between the dark and the light, a deeply personal account woven against the history of photography from the moment of its birth in the 1830s to its decline, and some would say death, in the digital age almost two hundred years later. It is a memoir that reads at times like a manifesto, at others like a confession; a last testament to the dark room as both a site for the imagination, and a physical space for the alchemy that William Henry Fox Talbot once described as ‘a little bit of magic realised’. Dark Room charts Miller’s work over five decades, shifting from a camera-based practice in early career to the abstract picture making for which he has become internationally recognised, working without a camera to experiment with the possibilities of light as both medium and subject. At its core is the relationship with nature and place that has so sustained his way of life, and specifically with his home on Dartmoor and the cycle of daily walks that have been at the core of his practice for thirty years. The book also features an essay on Miller’s work by his friend the potter and writer Edmund de Waal and technical notes by Martin Barnes, senior photography curator of the Victoria and Albert Museum.
Trade ReviewFabian Miller’s works dwell majestically, inviting pause, tempting immersion, evading final qualification. These rare encounters remind us of quite how magical the photographic arts are. * Amateur Photographer *
We see a lot of books here at Amateur Photographer, and it’s safe to say that while many of them are excellent, it’s rare for one to give such pause for thought as Dark Room...to sit down and absorb the book, front-to back, is a fantastic experience that is hard to beat. * Amateur Photographer *
Table of ContentsDark Room 13 Farewell to an Idea: Edmund de Waal 226 Catalogue 242 Technical Notes: Martin Barnes 256 Further Reading 259 Biography 260 Acknowledgements 262
