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Book Synopsis
This book highlights the connection between Damien Hirst (born 1965) and the British modernist artist Margaret Mellis (1914–2009), who became a close friend and mentor to the YBA protagonist during the development of his early career. In the 1980s Hirst made regular visits to Mellis' home and studio in Southwold, on the North Sea coast of England, where he spent much time studying her beautiful drawings of "half-dead flowers" on envelopes and driftwood assemblages fashioned from her beachcombing forays. In 2001 Hirst expressed the view that she had been unjustly neglected and deserved to be "up there—large on the map with her contemporaries"; their works were first exhibited side by side at the Tate in 2008. Alongside reproductions of assemblages and drawings by Mellis and Hirst, this volume includes a reproduction of a letter written to Hirst by Mellis from c. 1987, and an essay on Mellis by Hirst.

Damien Hirst & Margaret Mellis: Half Dead Flowers

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    A Paperback / softback by Damien Hirst, Jason Beard, Damien Hirst

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      View other formats and editions of Damien Hirst & Margaret Mellis: Half Dead Flowers by Damien Hirst

      Publisher: Other Criteria
      Publication Date: Publication Date: 22/03/2016
      ISBN13: 9781906967734, 978-1906967734
      ISBN10: 1906967733

      Description

      Book Synopsis
      This book highlights the connection between Damien Hirst (born 1965) and the British modernist artist Margaret Mellis (1914–2009), who became a close friend and mentor to the YBA protagonist during the development of his early career. In the 1980s Hirst made regular visits to Mellis' home and studio in Southwold, on the North Sea coast of England, where he spent much time studying her beautiful drawings of "half-dead flowers" on envelopes and driftwood assemblages fashioned from her beachcombing forays. In 2001 Hirst expressed the view that she had been unjustly neglected and deserved to be "up there—large on the map with her contemporaries"; their works were first exhibited side by side at the Tate in 2008. Alongside reproductions of assemblages and drawings by Mellis and Hirst, this volume includes a reproduction of a letter written to Hirst by Mellis from c. 1987, and an essay on Mellis by Hirst.

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