Description
Book SynopsisAn accessible introduction to cultural theory and an original polemic about the purpose of criticism.
What is criticism for? Over the past few decades, impassioned disagreements over that question in the academy have burst into the news media. These conflicts have renewed the culture wars over the legacy of the 1960s, becoming entangled in national politics and leading to a new set of questions about critics and the power they do or don't wield.
Re-examining theorists from Matthew Arnold to Walter Benjamin, to Fredric Jameson, Stuart Hall, and Hortense Spillers, Criticism and Politics explores the animating contradictions that have long propelled literary studies: between pronouncing judgment and engaging in philosophical critique, between democracy and expertise, between political commitment and aesthetic autonomy. Both a leftist critic and a critic of the left, Robbins unflinchingly defends criticism from those who might wish to de-politicize it, arguing that working for change is not optional for critics, but rather a core part of their job description.
Trade Review"Urgent, bracing, and powerfully argued,
Criticism and Politics will be controversial in the best sense—inviting us all to debate the purposes and presumptions of criticism on newly articulated grounds."—Caroline Levine, Cornell University, author of
Forms"This is a vivid, engaging, and engaged piece of literary criticism, as well as a vigorous defense of criticism as a method, by one of its foremost practitioners."—Martin Puchner, Harvard University, author of
Literature for a Changing Planet"For those who have been looking for a book to address, head on, the complex connections between literary criticism and politics, this is that book."—Mark Greif, Stanford University, author of
Against Everything"This challenging, bold book helps answer the question of what critics are for. Highly recommended"—S. J. Shaw,
CHOICETable of ContentsIntroduction
1. Criticism in the Wake of the 1960s
2. Criticizing
3. Lost Centrality
4. Aesthetics and the Governing of Others
5. Grievances
6. The Historical and the Transhistorical
7. Cosmopolitical Criticism in Deep Time
Conclusion
