Description
Book SynopsisIn Colonial Legacies, Gabriella Nugent examines a generation of contemporary artists born or based in the Congo whose lens-based art attends to the afterlives and mutations of Belgian colonialism in postcolonial Congo. Focusing on three artists and one artist collective, Nugent analyses artworks produced by Sammy Baloji, Michele Magema, Georges Senga and Kongo Astronauts, each of whom offers a different perspective onto this history gleaned from their own experiences. In their photography and video art, these artists rework existent images and redress archival absences, making visible people and events occluded from dominant narratives. Their artworks are shown to offer a re-reading of the colonial and immediate post-independence past, blurring the lines of historical and speculative knowledge, documentary and fiction. Nugent demonstrates how their practices create a new type of visual record for the future, one that attests to the ramifications of colonialism across time.
Trade ReviewThis book constitutes an outstanding contribution to the study of contemporary African art and historiography of the DRC. In its painstaking analysis of past and present images, it offers a timely analysis of Congolese culture and politics.
Pierre-Philippe Fraiture, French Studies, 2023, knad010, https://doi.org/10.1093/fs/knad010
"... the book’s forte lays in the author’s careful method of close reading. Nugent rightfully prides herself for her attention to visual details. She reads artworks both along and against the grain, by zooming in on images, paying attention to their materiality, tracking their transformations and alterations, looking at the margins. Her book’s argumentative power also comes from its careful consideration of the historical scholarship on the Congo, as well as its rich theoretical apparatus. These foundations enable Nugent to contribute both to Congolese studies and to current scholarly conversations, on questions including visuality, memory, violence, technopolitics, and the body ... the book offers a highly stimulating study of critical artistic interventions ... It will appeal to readers interested in Congolese history, contemporary art, photography, and the making of new archives for the present."
Pedro Monaville, African Arts (2023) 56 (2): 93–95, https://doi.org/10.1162/afar_r_00713
The real heart of this book, which makes an interesting contribution to the study of a highly dynamic contemporary Congolese art scene, lies with its delicate unpacking of the past futures the art under discussion renders visible. - Sarah Van Beurden, H-France Review Vol. 23 (August 2023), No. 136, https://h-france.net/vol23reviews/vol23_no136_VanBeurden.pdf
Table of ContentsAcknowledgements Introduction Chapter 1. Mining Lubumbashi: Sammy Baloji’s Mémoire Chapter 2. The Maintenance of Mobutu’s Zaire: Michèle Magema’s Oyé Oyé Chapter 3. The Image of Lumumba: Georges Senga’s Une vie après la mort Chapter 4. From Kinshasa to the Moon: Kongo Astronauts Coda. Between History and individual histories Notes Bibliography Index Colour Plate Gallery
