Description

" . . . an important contribution to the study of recent Chinese literature." — Choice

"This fine, scholarly survey of Chinese literature since 1949 . . . discusses such trends as modernism, nativism, realism, root-seeking and 'scar' literature, 'misty' poets, and political, feminist, and societal issues in modern Chinese literature." —Library Journal

This volume is a survey of modern Chinese literature in the second half of the twentieth century. It has three goals: (1) to introduce figures, works, movements, and debates that constitute the dynamics of Chinese literature from 1949 to the end of the century; (2) to depict the enunciative endeavors, ranging from ideological treatises to avant-garde experiments, that inform the polyphonic discourse of Chinese cultural politics; (3) to observe the historical factors that enacted the interplay of literary (post)modernities across the Chinese communities in the Mainland, Taiwan, Hong Kong, and overseas.

Chinese Literature in the Second Half of a Modern Century: A Critical Survey

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Hardback by Pang-Yuan Chi , David Der-wei Wang

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" . . . an important contribution to the study of recent Chinese literature." — Choice"This fine, scholarly survey of... Read more

    Publisher: Indiana University Press
    Publication Date: 22/09/2000
    ISBN13: 9780253337108, 978-0253337108
    ISBN10: 0253337100

    Number of Pages: 384

    Non Fiction , ELT & Literary Studies , Education

    Description

    " . . . an important contribution to the study of recent Chinese literature." — Choice

    "This fine, scholarly survey of Chinese literature since 1949 . . . discusses such trends as modernism, nativism, realism, root-seeking and 'scar' literature, 'misty' poets, and political, feminist, and societal issues in modern Chinese literature." —Library Journal

    This volume is a survey of modern Chinese literature in the second half of the twentieth century. It has three goals: (1) to introduce figures, works, movements, and debates that constitute the dynamics of Chinese literature from 1949 to the end of the century; (2) to depict the enunciative endeavors, ranging from ideological treatises to avant-garde experiments, that inform the polyphonic discourse of Chinese cultural politics; (3) to observe the historical factors that enacted the interplay of literary (post)modernities across the Chinese communities in the Mainland, Taiwan, Hong Kong, and overseas.

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