Description
Book SynopsisA close examination of the prayers in Chaucer's poetry sheds significant new light on his poetic practice. In a culture as steeped in communal, scripted acts of prayer as Chaucer's England, a written prayer asks not only to be read, but to be inhabited: its "I" marks a space that readers are invited to occupy. This book examines the implications of accepting that invitation when reading Chaucer's poetry. Both in his often-overlooked pious writings and in his ambitious, innovative pagan narratives, the "I" of prayer provides readers with a subject-position thatcan be at once devotional and literary - a stance before a deity and a stance in relation to a poem. Chaucer uses this uniquely open, participatory "I" to implicate readers in his poetry and to guide their work of reading. In examining Christian and pagan prayers alongside each other, Chaucer's Prayers cuts across an assumed division between the "religious" and "secular" writings within Chaucer's corpus. Rather, it emphasizes continuities andapproaches prayer as part of Chaucer's broader experimentation with literary voice. It also places Chaucer in his devotional context and foregrounds how pious practices intersect with and shape his poetic practices. These insightschallenge a received view of Chaucer as an essentially secular poet and shed new light on his poetry's relationship to religion.
Trade ReviewMegan Murton's very insightful and helpful book is a study of medieval subjectivity. * SPECULUM *
This adroit study reveals new pathways around more than a few critical minefields-not least that of "Chaucer as a religious poet"-and its emphasis on Chaucer's creative piety forms a welcome intervention in current historicist models of Chaucer's poetics and late medieval lay spirituality alike. * STUDIES IN THE AGE OF CHAUCER *
In examining Christian and pagan prayers alongside each other, Chaucer's Prayers cuts across an assumed division between the 'religious' and 'secular' writings within Chaucer's corpus. Rather, it emphasizes continuities and approaches prayer as part of Chaucer's broader experimentation with literary voice. It also places Chaucer in his devotional context and foregrounds how pious practices intersect with and shape his poetic practices. These insights challenge a received view of Chaucer as an essentially secular poet and shed new light on his poetry's relationship to religion. * Studi Medievali *
Murton skillfully unveils the potential of reading Chaucer as a religious poet involved with the literary nature of devotional writings and the devotional nature of literature. [...] Chaucer's Prayers' significant contribution returns our attention to Chaucer as both a secular and religious poet. -- Journal of Medieval Religious Cultures
Table of ContentsIntroduction: Prayer as Performance Chapter 1: Praying to Mary Chapter 2: Praying in Suffering Chapter 3: God of Love and Love of God in Troilus and Criseyde Chapter 4: Praying about Poetry Conclusion: Praying with Chaucer, Performing Chaucer
