Description

Now in its nineteenth year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship in the American context and is intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary potters. The special focus of the 2018 volume of Ceramics in America is The Last Drop Project, held in conjunction with the North Car-olina Pottery Center, where seventeen American potters were invited to create new ceramic works inspired by seventeenth- and eighteenth-century drinking vessels. Included are two wonderfully illustrated articles on con-current installations at the Pottery Center: Michelle Erickson: DISTILLED and In the Pale Moonlight: Pottery & Alcohol in North Carolina. Other articles examine contemporary potters working in the field of historical ceramics reproductions. The journal concludes with an important interdisciplinary study of a late-nineteenth-century industrial pottery of the Shenandoah Valley in Virginia.

Ceramics in America 2018

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Hardback by Robert Hunter

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Now in its nineteenth year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship... Read more

    Publisher: Chipstone Foundation
    Publication Date: 17/04/2019
    ISBN13: 9780986385735, 978-0986385735
    ISBN10: 0986385735

    Number of Pages: 192

    Non Fiction , Home & Garden

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    Description

    Now in its nineteenth year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship in the American context and is intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary potters. The special focus of the 2018 volume of Ceramics in America is The Last Drop Project, held in conjunction with the North Car-olina Pottery Center, where seventeen American potters were invited to create new ceramic works inspired by seventeenth- and eighteenth-century drinking vessels. Included are two wonderfully illustrated articles on con-current installations at the Pottery Center: Michelle Erickson: DISTILLED and In the Pale Moonlight: Pottery & Alcohol in North Carolina. Other articles examine contemporary potters working in the field of historical ceramics reproductions. The journal concludes with an important interdisciplinary study of a late-nineteenth-century industrial pottery of the Shenandoah Valley in Virginia.

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