Description

Building Histories offers innovative accounts of five medieval monuments in Delhi the Red Fort, Rasul Numa dargah, Jama Masjid, Purana Qila, and Qutb complex tracing their modern lives from the nineteenth century into the twentieth. ?Mrinalini Rajagopalan argues that the modern construction of the history of these monuments entailed the careful selection, manipulation, and regulation of the past by both the colonial and later postcolonial states. Although framed as objective "archival" truths, these histories were meant to erase or marginalize the powerful and persistent affective appropriations of the monuments by groups who often existed outside of the center of power. By analyzing these archival and affective histories together, Rajagopalan works to redefine the historic monument far from a symbol of a specific past, the monument is shown in Building Histories to be a culturally mutable object with multiple stories to tell.

Building Histories: The Archival and Affective Lives of Five Monuments in Modern Delhi

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Hardback by Mrinalini Rajagopalan

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Building Histories offers innovative accounts of five medieval monuments in Delhi the Red Fort, Rasul Numa dargah, Jama Masjid, Purana... Read more

    Publisher: The University of Chicago Press
    Publication Date: 01/03/2017
    ISBN13: 9780226283470, 978-0226283470
    ISBN10: 022628347X

    Number of Pages: 272

    Non Fiction , Art & Photography

    Description

    Building Histories offers innovative accounts of five medieval monuments in Delhi the Red Fort, Rasul Numa dargah, Jama Masjid, Purana Qila, and Qutb complex tracing their modern lives from the nineteenth century into the twentieth. ?Mrinalini Rajagopalan argues that the modern construction of the history of these monuments entailed the careful selection, manipulation, and regulation of the past by both the colonial and later postcolonial states. Although framed as objective "archival" truths, these histories were meant to erase or marginalize the powerful and persistent affective appropriations of the monuments by groups who often existed outside of the center of power. By analyzing these archival and affective histories together, Rajagopalan works to redefine the historic monument far from a symbol of a specific past, the monument is shown in Building Histories to be a culturally mutable object with multiple stories to tell.

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